Alien Resurrection – Beyond Salvation
Alien: Resurrection taglines:Witness the resurrection. Pray you die first.
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| Directors: Jean-Pierre Jeunet | |||||||||||||||||||||||||||||||
| IMDB Rating: 6.1out of 10
(57,809 votes) |
” Alien Resurrection” 1997 by Jean-Pierre Jeunet – Movie Review
Sci-Fi thriller “Alien: Resurrection” finalizes the quadrilogy of cult series about Aliens. In “Alien 4″ we bid farewell to Ripley so wonderfully impersonated by Sigourney Weaver. The final victory is won and the aliens will never be able to cause irreparable damage to the Earth and endanger the existence of humankind.
“Alien: Resurrection” Plot Summary
Ripley is successfully cloned from the eighth attempt, and the alien embryo is given new life with her. The military seem to be not able to abandon the crazy unrealizable idea of taming the aliens, turning them into creatures under human control. They do not want to recognize that this lethal weapon could destroy human civilization forever. Nobody can manage to breed the aliens in captivity, neither did anybody manage to train them. In “Alien 4″ Ripley gets a second life, but cloning has caused an unexpected effect of hybridization. She is extremely strong, has a highly developed instincts. Her blood like the blood of Aliens is capable to burn through metal. She calls herself ‘mother of the monster” and has the ability to feel the presence of monsters. She became much colder and sober-minded than she was in her real life.
The criminal military officials’ plans extend so far that they are willing to pay the pirates for kidnapping. The live cargo is going to be a ‘farm’ for breeding these extremely ‘attractive’ creatures. But Aliens do not doze for an extra minute, they spend great time spreading inside the research center. Although Ripley is perceived by the scientists as the production waste, she and the female android Annalee Call (Winona Rider) are to save the humankind from the invasion of the terrible Aliens.
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‘Star Trek’ Download and Reviews
“Star Trek” Movie Details
Star Trek tagline: The future begins.
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| Directors: J.J. Abrams | |||||||||||||||||||||||||||||||
| IMDB Rating: 8.2/10 out of 102,879 votes |
“Star Trek” Movie Review
“Star Trek 2009″ Plot Summary
A chronicle of the early days of James T. Kirk and his fellow USS Enterprise crew members. |
Fun
As someone with a longstanding fondness for most things Trek (I’ve seen most of the movies and quite a few of the shows), I have to say that JJ & Co did a fine job with this picture; the character dynamics were broadly satisfying, the action scenes entertaining and the set pieces well put together. Most of all I was impressed with the lightness of touch of the whole venture – it would be very easy to criticise the picture for making what could be considered significant changes to certain parts of Trek lore, but given that the changes were accomplished with such comfort and confidence makes them, in my view, perfectly acceptable.
With regards to the acting characterisation, everyone was pretty much solid, with perhaps the exception of Sulu, who I thought didn’t have much to do. Kudos, though, to Zoe Saldana’s loveliness as Uhura and also, especially, to Chris Pine as Kirk – I had always thought Spock was my favourite character, but it looks like I may have to reassess; Pine lives and breathes that Kirk moxie exquisitely and he’ll be great fun to watch in future instalments.
With regards to plot, it’s pretty good; there is a decent sense of internal logic to it, without it being too overwrought. True, there are a number of points where you might think, ‘Blimey, that’s serendipitous,’ but as I’d already suspended my disbelief to accept the possibility of time travelling green-blooded alien from the planet Vulcan, these things really didn’t bother me at all. Plus there were a number of points in the movie where they were saying, ‘We were pulling this kind of shtick 20+ years ago, and you loved it then; run with us on this one,’ and I was happy to.
Oh, and most importantly of all, the movie is fun; it has the good sense to not take itself too seriously, despite remaining well aware of that sense of pomp and importance that all great character dramas should have, and that isn’t a bad thing at all.
How this movie will bear up to repeat viewings, I’m not certain yet, but at the premiere, it was a blast.
Addendum: It’s a month plus since I originally wrote this and I have seen the film three times in total now – the opening ten minutes remain a manipulative marvel that the remainder of the film struggles to match, the coincidences and conveniences seem even more far fetched than ever and the jokes seem even more silly BUT I still fancy seeing it again, so I guess it must work for me.
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‘A Scanner Darkly’ Download and Reviews
“A Scanner Darkly” Movie Details
A Scanner Darkly tagline: What Does A Scanner See?
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| Directors: Richard Linklater | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.2/10 out of 38,974 votes |
“A Scanner Darkly” Movie Review
“A Scanner Darkly” Plot Summary
An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.
Imaginative and original
At first glance, you’d think A scanner darkly was style over substance. That is very much wrong. If you peeled away the trippy layers of rotoscoping, you’d still have a very cool and original movie. The writing is really tight and builds up a great and paranoid setting
The characters are very varied. Keanu Reeves, who does a decent job, is a somewhat apathetic washout, a role that fits him well. For all the Keanu-haters out there, I can say that he is not the sole star of the movie. This movie is much more about his friends, a mixed bag of drug-addicts and dopers
Robert Downey Jr. does a fantastic role as the manic, phony-eloquent pseudo-intellectual Barris. He’s very believable and you can’t help get a bit annoyed by him even as you laugh. He has some great lines, and he delivers them superbly
Winona Rider’s Donna is a character we don’t get to see enough of. The scenes she’s in are good, and she certainly looks and acts like a burnout
Rory Cochrane is even more creepy as Freck, the worst case of the little group. You can feel your skin crawling as soon as he goes on-screen. For those who have read the book: Yes, the opening sequence is the same
Then there’s the under-appreciated Woody Harrelson, funny and realistic as Luckman. His burned-out logical jumps and paranoid outbursts are perfect
A benefit of the rotoscoping is that supporting roles can for once look like natural people. Think about it. In your average Hollywood flick, there are professional small parts actors and actresses. The same small group of people perpetually turning up as doctors, gas station attendants, brokers… how real does that feel? I’m sure Linklater doesn’t care anyway, but it just seems more natural with unknowns when they’re drawn. A small point but there might be something to it
The real benefit of the rotoscoping, of course, is that it looks good. Every frame is like a cutout from a graphic novel or some pop art. For a drug movie, you couldn’t ask for anything better. As tempting as it must have been, the animation team has however limited the really trippy sequences to where it matters. All in all, there are only two or three hallucinatory scenes. The general floatiness of the animation, however, gives the movie a fluid and slightly hallucinatory look in general
Combine all of the above and add a healthy dose of paranoid music by Radiohead and you’ve got a cult classic and a great piece of art. Not to be missed by those who appreciate film.
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‘Edward Scissorhands’ Download and Reviews
“Edward Scissorhands” Movie Details
Edward Scissorhands tagline: His scars run deep.
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Host-TV |
“Edward Scissorhands” Movie Review
“Edward Scissorhands” Plot Summary
An uncommonly gentle young man, who happens to have scissors for hands, falls in love with a beautiful teenage girl.
A must-see movie that you must see over and over again!
Edward Scissorhands is heart-warming, poetic, tragic, and comedic. An all-in-one movie. The story about a half-made man named Edward, who has the misfortune of having scissors for hands, (Johnny Depp) is one of those rare creatures who’s soul is bigger than his heart. His outward appearance (the black and white face, the hands) is out of place in the colorful suburban neighborhood he was brought into, but so is his innocence, vulnerability, and compassion. Depp’s performance as Edward is one of his most original yet! It’s not just the character, its the background of the movie that makes it good also. THe underscore is haunting, and beautiful, it can alone bring tears to your eyes. The makeup is outstanding, and the way the camera captures the character’s emotion and state of being is just breathtaking. And of course, without the help of Tim Burton’s Gothic style, the movie wouldn’t have the same effect
Kim Boggs (Winona Ryder) falls in love with this man, and their tragic romeo and juliet based romance makes the audience long for them to be together. You hate Jim (Anthony Michael Hall) for breaking them apart, and the rest of the community for that matter! All in all, the mixture of music, talent, and story plot make the movie a must-see that you must see over and over again! I give it a 9 out of 10
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‘S1m0ne’ Download and Reviews
“S1m0ne” Movie Details
S1m0ne tagline: A star is… created.
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Premiere Audience Member |
“S1m0ne” Movie Review
“Simone” Plot Summary
A producer’s film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a real person.
Brilliant Movie
I avoided this movie because the last comedy I saw Al Pacino in was ‘Scent of a Woman’ and despite his academy award performance, I didn’t enjoy the film. I was expecting this film to be one of those sad, embarrassing September-May romance movies where an aging 60-ish actor seduces a beautiful woman half or one-third his age
I was immediately surprised that this film was totally different. It was laugh-out-loud funny and wonderfully weird. lt is not a romantic comedy, but a great satire on technology and fame. The woman that Pacino does romance is at least 45, so that aspect of the movie was handled with reasonableness and sensitivity
In my opinion the film is also a satire on Christianity. Here, just as there, a made-up character becomes such a big star that masses of people believes more in that fictional person’s existence than their own
Don’t miss it.
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‘The Private Lives of Pippa Lee’ Download and Reviews
“The Private Lives of Pippa Lee” Movie Details
The Private Lives of Pippa Lee tagline: The life you love may be your own.
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| Directors: Rebecca Miller | |||||||||||||||||||||||||||||||
| IMDB Rating: 6.7/10 out of 1,979 votes |
“The Private Lives of Pippa Lee” Movie Review
“The Private Lives of Pippa Lee” Plot Summary
After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown. add synopsis
Many roles, one good performance
Robin Wright Penn first became famous for a starring role in a soap opera, ‘Santa Barbara.’ And here she is 25 years later in another one, made for the silver screen this time. Though this movie is from a novel by the director Rebecca Miller (who’s playwright Arthur Miller’s daughter) and adapted by her, it’s very much material for a soap of the old ‘Valley of the Dolls’ variety with desperate housewives, impossibly rich adulterous husbands, mysterious sexy losers, drugs, changed names, a shifting cast, people running off to begin a new life, and so on
The cast is intriguing. ‘Race Matters’ author Cornel West and Monica Belluci appear in minor roles; doubtless other celebs are hidden here or there, and the venerable Shirley Knight plays a senior citizen neighbor. Maria Bello (replacing Maggie Gyllenhaal, who dropped out) plays a drug-addled mother in turbulent flashbacks; Winona Ryder (whose personal history is interesting, if not her acting) is a disloyal friend in the present when Pippa has been married for 25 years to a prominent publisher (Alan Arkin). In Seventies clothes, Julianne Moore (in flashbacks) is a lesbian who shoots bondage and discipline photos. Keanu Reeves is the mysterious sexy loser. Reeves, which may surprise some, gives the movie’s only interesting performance, one that’s subtle, understated and complex, that implies more than it says. All the others parts are written and acted to scream more than signify. Every so often Reeves does something like this. Why not more often?The flashbacks are in three segments: dysfunctional childhood; runaway dissolute youth; run-up to marriage. The young Pippa is played by two younger actors. When Penn’s costumed and made up in flashbacks to look young, she’s almost unrecognizable as the person in the present. Pippa’s father, with the strange and unexplained name of Des Sarkissian (Tim Guinee), is a minister. Over time, Pippa discovers that her devouring mom is a suburban speed freak; the daughter is the slave to her mother’s mood shifts and must run away. When she does she never goes back, but becomes a drug user herself, though the only scenes dwelt on are of a transitional time with an aunt((Robin Weigert), who turns out to be Julianne Moore’s lover — who, incredibly, is surprised to discover Pippa’s being posed in the B&D photos at the apartment. Finally the flashbacks reach the point where Pippa, now a pseudo-bohemian with weird hair and artistic clothing, is taken up by Herb (Arkin), discovered living in a modernistic white mansion by the sea and wearing a hair piece; he’s about 55, Pippa 25. He wants to get rid of his wife (Bellucci) but he doesn’t have to: she offs herself in front of them (and guests, and the cook, watching from the kitchen) at the lunch table. Some of the party scenes at the seaside pad, more languid than this moment, almost evoke Fellini. Belluci has replaced Ekberg, and we’re outside Stanford, not Rome
Robin Wright Penn, poor thing, has said in an interview, breaking into tears, that this is the most meaningful role of her career. This is because she feels her character is depicted in so much detail. But this is naive. With good writing and acting, a character can be richly shown in scenes set over a few hours or days, while a turbulent back story can provide distraction without enlightenment. None of the lurid blasts from the past shed any particular light on Pippa’s present except to say that sometimes women with messy beginnings wind up in conventional and relatively serene marriages. All those melodramatic and colorful scenes mean nothing: they add no insight into the characters. With all the flashbacks, nobody seems real. How Pippa got to be in her present state of sedated uxoriousness with a feisty 80- year-old, what her 25 years of marriage to him were like, raising two grown children, Brian (Ryan McDonald), a young lawyer, and Grace (Zoe Kazan, Elia’s granddaughter), a photojournalist working on the front lines: or all this little is said, and less shown
If this movie had a heart, it would be the present-time dying marriage with Herb (Arkin), whose heart is in shaky shape, though his ego is as robust as ever. At the outset the couple has just moved to a posh Connecticut retirement compound because Herb has recently had three heart attacks. Arkin has his now familiar feisty manner, but his character, still apparently active in publishing even nearing 80, is less simplistic and caricatural than the grandpa in Little Miss Sushine. There are signs that Herb may be losing his marbles, but it turns out to be Pippa who’s sleepwalking — and, new thing, sleep-driving her car to a convenience store where she’s rescued by Chris (Keanu Reeves), 35- year-old son of Shirley Knight and staying with her after a meltdown in his life out West. A gentle relationship with Chris develops. He’s a somewhat crudely limned Jesus figure, with Jesus actually emblazoned all over his (surprisingly flabby) chest, and a failed attempt to become a Jesuit in his background. But despite these outlines, his understated performance makes him the only person capable of surprising us
This movie reminded me of the late Walt Stack, longtime president of San Francisco’s Dolphin South End Runners Club. ‘You’ve got to hand it to us turtles,’ he used to say at the start of a race. ‘We’re the ones who make you hotshots look good.’ You’ve got to hand it to lousy movies like ‘Pippa Lee’: watching them makes you appreciate the good ones.
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‘Mr. Deeds’ Download and Reviews
“Mr. Deeds” Movie Details
Mr. Deeds tagline: Don’t let the fancy clothes fool you.
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P.A./Gaffer/Extra |
“Mr. Deeds” Movie Review
“Mister Deeds” Plot Summary
A sweet-natured, small-town guy inherits a controlling stake in a media conglomerate and begins to do business his way.
One of Sandler’s best roles yet!
Adam Sandler in one of his greatest roles yet. The romantics between Deeds and ‘Pam Dawson’ were great. Keep your eyes on Emilio, he’s a very sneaky sneaky person. I don’t know how he does it. Steve Buscemi was great as Crazy Eyes. A definate must see for the whole family or as a night out with the girl/guy (gender pending).
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