“The General’s Daughter” Movie Details
The General’s Daughter tagline: Go behind the lies.
 The General's Daughter DVD Cover
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| Directors: Simon West |
| IMDB Rating: 6.1/10 out of 22,688 votes |
“The General’s Daughter” Movie Review
“The General’s Daughter” Plot Summary
When the daughter of a well-known and well-respected base commander is murdered, an undercover detective is summoned to look into the matter and finds a slew of cover-ups at West Point. add synopsis
Better Than Excellent
I grew up in a military family and the first time I watched this film, it was more like a documentary to me than anything. I probably missed half this film in tears the first time I watched it. I’ve watched it now almost 50 times and it never looses it’s luster. Each actor/actress was chosen perfectly for their part…..what a movie, it says everything even on ‘mute’.
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“Butch Cassidy and the Sundance Kid” Movie Details
Butch Cassidy and the Sundance Kid tagline: Just for the fun of it!
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| Directors: George Roy Hill |
| IMDB Rating: 8.2/10 out of 53,690 votes |
“Butch Cassidy and the Sundance Kid” Movie Review
“Butch Cassidy and the Sundance Kid” Plot Summary
Two Western bank/train robbers flee to Bolivia when the law gets too close.
One word…..Excellent
I can remember seeing this movie, at the Colony Theater in Portsmouth Virginia, when it was first released. Since then, I’ve seen it at least 30 times, most recently last night. In my humble opinion, Paul Newman & Robert Redford made an excellent movie twosome 30 years ago [and expanded on it a few years later, in The Sting]. In reading the reviews submitted about this movie it makes me happy to see that most of the people agree with my opinion. How could you not like these characters, along with Etta, ‘those guys’ following them and eventually Strother [who will always be remembered for his 'what we have here is a failure to communicate' in Cool Hand Luke] Martin? Not to mention the scenes where Etta enters the picture, when Butch has to fight Logan, when they have to jump in the water and, of course, the ending sequence of events. I won’t say ‘they don’t make them like they used to’, but this one is a keeper. And if you agree with my evaluation, and have a DVD player, watch the DVD that has interviews, etc., to give you an even better picture of this excellent movie.
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“Appaloosa” Movie Details
Appaloosa tagline: Feelings get you killed.
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| Directors: Ed Harris |
| IMDB Rating: 6.9/10 out of 20,220 votes |
“Appaloosa” Movie Review
“Appaloosa” Plot Summary
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
Good, solid, old-fashioned western.
Appaloosa is a very old-fashioned western. It does not fit in line with the more recent flux of modern-day westerns such as Assassination of Jesse James, There Will Be Blood, and (to some extent) No Country For Old Men. The most recent comparison that I can think of is 2004’s Open Range, which in my mind, was the superior of the two. This is not to say that I did not enjoy the film. Ed Harris and Viggo Mortensen have great on-screen chemistry and there are plenty of humorous moments between the two characters. The film also delivers on the expected quota of shoot-outs that any western fan would appreciate. When they happen they happen fast, a fact that is amusingly observed by the two leads during one devastating gun battle. The problem with this film is that everything seems overly familiar. Though I cannot always pinpoint where I have seen particular scenes before, I still feel that I have seen them, and you are never in any doubt as to where the film is heading. I went in to this film not knowing that it was an adaptation of a novel. After also hearing that it is a very ‘faithful’ adaptation I am led to believe that any narrative familiarity is most likely the fault of the source material and not that of Ed Harris, who of course co-wrote the the screenplay. As it stands, Harris’ direction is handled very nicely, and the film certainly looks beautiful enough. The only other gripe I have is the casting of Renee Zellweger. I have nothing against her personally. She’s a fine actress who has proved herself many times with the likes of Cold Mountain, Bridget Jones, and Chicago. But she does not fit in the role she is given here and I spent most of her screen time wishing someone else in the part. Despite these grumbles Appaloosa is a well made example of the genre that probably deserves more recognition than the average Friday night pop-corn trash that Hollywood has a tendency to put out.
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“Sweeney Todd: The Demon Barber of Fleet Street” Movie Details
Sweeney Todd: The Demon Barber of Fleet Street tagline: Never Forget. Never Forgive.
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| Directors: Tim Burton |
| IMDB Rating: 7.7/10 out of 98,111 votes |
“Sweeney Todd: The Demon Barber of Fleet Street” Movie Review
“Sweeney Todd” Plot Summary
The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Got me onside, surprisingly good
I am generally not a fan of musicals. I don’t like the artifice of singing dialogue moments. I have no problem with singing in a movie but this grates on me. Take Dreamgirls for instance. For the most part i was fine with it, good songs, performed as performances with a narrative structure surrounding them. However once of twice it had songs in place of dialogue where characters were discussing things amongst themselves or some such thing and i just got annoyed. And yes i dislike all the classics like West Side Story for this very reason
For about the first 20-30 minutes of Sweeney Todd I was having the same problem. This makes no bones about it being a musical. It’s not Rex Harrison speak-sing, it’s not staged songs in the middle of clumps of dialogue, it’s pretty much all singing. Everything. Every sentiment, every emotion, every plan, every aside. Yet after about 20 minutes or so i got used to it and went with it and then just appreciated the wonderful dark humour and sheer entertainment quality of it
Johnny Depp is great in the lead but he is complimented across the entire cast with Alan Rickman on fabulously villainous mode; Timothy Spall wonderfully revolting an Beadle Bamford – Rickman’s henchman; and Helena Bonham Carter hilariously off-centre with all the best lines. It also has a star making turn from a brilliant child actor, Edward Sanders. Much better than the now ubiquitous Freddie Highmore (who got his big break with Depp in Finding Neverland before rejoining him (with Burton) in Charlie And The Chocolate Factory) he seems destined to have a great career potentially
The film’s greatest achievement however is how Burton has translated it to screen. This is a purely film musical. It never feels stagey. Unlike recent films like The Producers, Dreamgirls, Chicago which felt largely like they’d stuck a camera in a theatre and just filmed the show here Burton is brave enough to create a cinematic musical using all the tricks of his craft. That is never feels like it belongs anywhere but on a cinema screen is a huge testament to Burton’s skill in the translation and I hope the Academy is intelligent enough to recognise this come the Oscars next year
The dark humour is great, the look is stunning, Depp is gloriously unhinged while remaining believable. Even if, like me, you don’t generally like this type of musical i think you’ll get swept up in Sweeney Todd and enjoy it. Bravo Mr Burton.
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“The Messenger: The Story of Joan of Arc” Movie Details
The Messenger: The Story of Joan of Arc tagline:
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English Judge |
| Directors: Luc Besson |
| IMDB Rating: 6.3/10 out of 22,700 votes |
“The Messenger: The Story of Joan of Arc” Movie Review
“Joan of Arc” Plot Summary
A young girl receives a vision that drives her to rid France of its oppressors. add synopsis
A fine film
By no means a perfect film but you have to give it a lot of credit for trying to do something different with the material. I love the visual mystery of it all and the at times abstract images. For some reason it feels like there may have been a lot left out during the editing process, but a lot of these types of films have that feeling. Milla Jovovich hit a career high in The Messenger that she has never really lived up to since. What is brave about this film is that fact that it takes such a famous historical figure and does not try to deify her or make her a larger than life hero. She questions herself at every corner. She is confused half the time. Joan of arc in this film never seems to be sure of herself and is not above changing her mind at the last second like in the scene of the retracted confession. Granted, narratively this film can be a bit muddled, but as texture and atmosphere, it is hard to beat. Luc Besson has a sly wit that seems out of place here, for example the scene where an English guard asks ‘What is she doing’ cut to the French fighters ‘I don’t know!’ The score for the Messenger is very unique, with a combination of abstract synthesized sounds and large scale orchestra and choir reminiscent of a biblical epic. I must be honest in saying that I did not entirely like this film when I first saw it in the theater, but it stuck with me, so I went back for a repeat viewing and found I liked it a lot better than I thought. This is a very unique, although not entirely successful take on a very old story.
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