‘Kindergarten Cop’ Download and Reviews

December 3, 2009 by Paul Wall  
Filed under Action, Comedy, Crime

“Kindergarten Cop” Movie Details

Kindergarten Cop tagline: An undercover cop in a class by himself.
Kindergarten Cop - DVD Cover

Kindergarten Cop DVD Cover

Actors:
Arnold Schwarzenegger Detective John Kimble
Penelope Ann Miller Joyce Palmieri
Penelope Ann Miller Rachel Crisp
Pamela Reed Detective Phoebe O’Hara
Linda Hunt Miss Schlowski
Richard Tyson Cullen Crisp, Sr.
Carroll Baker Eleanor Crisp
Cathy Moriarty Sylvester’s Mother
Joseph Cousins Dominic Palmieri
Joseph Cousins Cullen Crisp, Jr.
Christian Cousins Dominic Palmieri
Christian Cousins Cullen Crisp, Jr.
Park Overall Samantha’s Mother
Jayne Brook Zach’s Mother
Richard Portnow Captain Salazar
Directors: Ivan Reitman
IMDB Rating: 5.8/10 out of 38,000 votes

“Kindergarten Cop” Movie Review

“Kindergarten Cop” Plot Summary

A tough cop is given his most difficult assignment: masquerade as a a kindergarten teacher in order to find a drug dealer.

Enjoyable fun sweet/tough natured comedy

Its normally every other day you see Arnold in a tough guy role e.g. The Terminator series and here he portrays a professional cop, until he is forced to go undercover as a kindergarten teacher, an absolute genius move from the director of ‘Twins’ Reitman. Schwarzenegger is very convincing in this new role as a man who has to live two very different lives and the sheer humour of seeing him in this position is an essential watch for anyone. His character here is amazing, a real laugh with or at character, living humorously, seriously and emotionally throughout, a reflection of a real person’s lives, reflecting society traits. It is hard to accept him as a great actor sometimes which, to many stubborn fans is emphasised here. He performed well as the tough/sentimental guy. The story is very well crafted and thankfully always believable, maybe apart from the ending. It is very consistent with different ideologies thrown around to add up to a slow moving story completed with a fast flowing ending. The use of encoding ideologies involving parenthood, crime, jobs, relationship, loyalty, drugs and friendship etc are all well used to emphasise society’s most important factors. As a comedy the main method used was for the tough guy to be creamed into a sweet natured role, which was great to watch. The children all convey a menacing iconography which is also enjoyable to watch

I loved Pamela Reed’s character. Reed (Junior) was fantastic as the sarcastic partner to Arnold and was very enjoyable to watch, watch out for one of her last lines. There are many twists used which add to the tension of the film, mostly conveying a comedy element which justifies the genre. The use of a stereotype villain allows younger audiences to appreciate the character, always aware of who he is and what he is planning to do. The dark distinctive music playing is always associating with him, creating a conventional but good feel to the nature of the character. The story is built up well because nothing is rushed. Context is always believable. Arnie’s relationship with the children is definitely the key part of the film and is a must watch. if you like Arnie’s tough guy roles, the this is a complete opposite – he is a class act here as a sentimental teacher!8.5/10

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‘Carlito’s Way’ Download and Reviews

October 28, 2009 by Paul Wall  
Filed under Crime, Drama, Thriller

“Carlito’s Way” Movie Details

Carlito’s Way tagline:
Carlito's Way - DVD Cover

Carlito's Way DVD Cover

Actors:
Al Pacino Carlito ‘Charlie’ Brigante
Sean Penn David Kleinfeld
Penelope Ann Miller Gail
John Leguizamo Benny Blanco
Ingrid Rogers Steffie
Luis GuzmГЎn Pachanga
James Rebhorn Dist. Atty. Norwalk
Joseph Siravo Vincent ‘Vinnie’ Taglialucci
Viggo Mortensen Lalin
Richard Foronjy Pete Amadesso
Jorge Porcel Saso
Frank Minucci Tony Taglialucci
Adrian Pasdar Frankie Taglialucci
John Ortiz Guajiro
ГЃngel Salazar Walberto
Directors: Brian De Palma
IMDB Rating: 7.9/10 out of 48,177 votes

“Carlito’s Way” Movie Review

“Carlito’s Way” Plot Summary

A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC. add synopsis

One of the best movies ever; a dead end

I think ‘Carlito’s Way’ is one of the most underestimated movies ever, a technically beautiful film, a rare pearl and in my opinion, one of the best achievements in the gangster genre. Not that people usually find it bad, they just don’t consider it as important as it actually is. Many people say it is a kind of unofficial sequel of De Palma’s ‘Scarface’, and they’re not completely wrong because there is an undeniable link between the main character of both films; Brigante is not the antithesis of Montana but just the same man if he could physically no more be a criminal. He doesn’t stop crime activities simply by choice but due to a physical obligation; Carlito represents, in a way, Tony Montana if he had lived longer. I find that this idea of the bad guy searching for redemption by necessity very interesting. And of course, Pacino is the perfect one to play such a complex role

More fascinating are the reasons why there is no way for Carlito : he makes himself a target because he has still felonious reactions and feel indebted to Kleinsfeld; he is still conditioned by the gangster code he knows since his childhood. It is not an usual thriller at all, the romance has a great part in it, as if Pacino himself was bored of the crime genre that made him so famous and wanted to change the movie into a love story, even if the spectator knows since the beginning that it won’t be possible. The fact is that this romance is the center of Brigante’s actions; thus, in a very touching scene, Carlito explains how he has changed, is now aware of his weakness and by doing so, opposes himself to the archetype of the cold and strong drug dealer. This is people expecting some kind of usual gangster movie could be disappointed if they don’t get in mind that the center of the story is the main character’s search for love and quietness. The conclusion of this search has no importance compared to the path chosen to achieve it; Carlito’s Way is about acting, not about succeeding

From an aesthetic point of view, the direction is well-mastered and incredibly dynamic for a film of that kind. De Palma is undeniably a virtuoso and loves more than all to make the camera move in an harmonious way, just as if it was following Pacino’s gesture. Of course, the long shot showing Carlito hidden in Grand Central illustrates well this approach. The pool sequence is also a strong example of Hitchcock’s legacy and influence on De Palma; the suspense that results from the situation is at its top and constitutes a pure form cinema based on the agreement between the main character’s feelings and the audience’s. The director also knows how to use ‘cliche’ scenes to reverse them and make them become truly original. It is something rare enough in my experience of moviegoer to be put forward

I think De Palma developed perfectly the main character (as he did in his ‘Scarface’) and had the good idea to do not idealize him. It seems that according to the director, a gangster can hardly repent; De Palma shows how hard it is for a criminal to regain a good reputation in a society that has changed while he was in jail. Carlito himself doesn’t fully understand the world he’s coming in after his years of prison and it is one of the reasons why his integration becomes very hard. Even the rules of the underworld in which he grew up have changed in such a way that he can’t have any place in it; he progressively understands how alone he is. Of course, beside Pacino, there is Sean Penn in one of his greatest roles as Dave Kleinfeld, a lawyer that will progressively show his true color. Penelope Ann Miller also creates a very touching character and the other supporting actors (including some that were in De Palma’s ‘Scarface’) give an important contribution for creating this typical NY environment. Concerning the music, Patrick Doyle composed a wonderful and very sad theme that fits perfectly with Carlito’s tragic story. However, don’t forget the various pieces of the score that are related to clubbing and very well chosen among the best of the 70’s. Thus, I am always sad to notice that this masterpiece is not more appreciate because it’s a movie you never forget. As I am a huge Pacino fan, I have to say that to my opinion, this is his greatest and deepest performance, far away from his usual gangster roles (Tony Montana was an unusual character, but not as touching as Carlito Brigante). Furthermore, the opening sequence and the ending are certainly among the most tragic and successfully made I have ever seen in a movie. This is an emotive masterpiece. Notice that the French magazine ‘Les Cahiers du Cinema’ chose ‘Carlito’s Way’ as the best movie of the 1990’s; I truly agree with that statement. 10/10 for a pure cinema moment.

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