‘Seabiscuit’ Download and Reviews
“Seabiscuit” Movie Details
Seabiscuit tagline: A long shot becomes a legend.
 Seabiscuit DVD Cover |
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| Directors: Gary Ross | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.4/10 out of 29,602 votes |
“Seabiscuit” Movie Review
“Seabiscuit” Plot Summary
True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation. add synopsis
Good movie
One of my favorite movies. Movies based off of books make me read the book, but with this, that isn’t so. This movie and the Harry Potter ones are good enough that I don’t need to read the book- and I read all the time.. avid reader. When I first watched it years ago, it was a little boring at the beginning. I now fast forward the beginning, as I already know it and want to watch the horse parts. I think horse people would like this movie more than non-horse people. But all movies will have people that like it and don’t; different tastes and opinions, but I like this movie. There were inappropriate scenes that I’d hate when I was younger, but the horse racing is exciting. I think Seabiscuit wins… and that was like ‘Duh.’ Of course he wins. I like things that are odd/different and unlikely to succeed, so I liked the plot, the odd little horse, large jockey…
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‘Dick Tracy’ Download and Reviews
“Dick Tracy” Movie Details
Dick Tracy tagline: I’m on my way.
 Dick Tracy DVD Cover |
Actors:
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Pat Patton |
“Dick Tracy” Movie Review
“Dick Tracy” Plot Summary
The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice’s united mob.
Impressive, enjoyable comic book movie (spoilers)
Released in 1990, Warren Beatty’s take on a popular one-time comic book detective is at once successful and distinctive. It doesn’t have the preachy Americo-centric moralism of the ‘Superman’ movies, neither does it possess the dark and tragic depths of the early ‘Batman’ films. ‘Dick Tracy’ is distinctive as it just tries to be what it is: a literal live action comic strip. In this the cops headed up by a straight-laced detective (and his plucky kid sidekick) are the heroes, with a horde of ugly, scheming gangsters as the villains
In a town simply named The City, Dick Tracy (Warren Beatty) is an honest but reckless detective who divides his time between chasing villains and going out with his girlfriend Tess Trueheart (Glenne Headly). He finds himself a new sidekick in the shape of the Kid (Charlie Korsmo), a homeless young thief he pulls off the streets. Tracy will need all the help he can get, as his arch-nemesis Big Boy Caprice (Al Pacino) is on the rise. He’s just rubbed out his main rival Lips Manlis (Paul Sorvino), taken over his club and stolen his girlfriend, singer Breathless Mahoney (Madonna). Now he’s preparing for a rampage that will ensure him complete control of The City…..Take the story out of the movie and it would make a fine period melodrama. There are enough twists and turns in the plot to keep it interesting for the bulk of it’s two-hour running length. The script mixes a healthy stock of comic book characters (hard-nosed cop, honest sweetheart, streetwise kid, mean ugly gangster and attractive but sleazy moll) and has the standard surprise ending. This is combined with a show of action scenes (featuring cement baths, punch-ups and tommy gun shoot-outs) but in keeping with the pictures lighthearted tone, there is nothing gory or explicit
The setting and technical aspect is especially good in this film. The use of primary colours in both the backdrops, sets and costumes is brilliant and makes the whole film really come alive. Enhancing this is a wonderful music score, put to good use in both the action scenes and the quieter, more sentimental moments. Even Madonna’s songs fit in well with the picture, as they’re cleverly used in ways that bring the story forward and add irony to key scenes. The performances are for the most part excellent. Warren Beatty is on form as eponymous detective and he works well in tangent with Charlie Korsmo as The Kid, who is both his partner and surrogate son. If the film has a recurring weakness, it’s in the lack of chemistry between him and leading lady Glenne Headly. There is certainly more discernible tension in scenes between him and Madonna, who turns in a good performance as the scheming, gangster’s moll. She is certainly no Oscar-winner, but neither is she the wooden disaster so many make her out to be
The cast of prosthetics-clad gangsters reads like a ‘Who’s Who’ of vintage character actors: Dustin Hoffman, James Caan, Paul Sorvino, William Forsythe, James Tolkan, etc. The outstanding performance here, though, is Al Pacino as Big Boy. Usually known for his more serious portrayal of villains in films like ‘The Godfather’ and ‘Dog Day Afternoon’ it is a delight watching him go gleefully over the top here. Big Boy is deluded, cruel and arrogant and makes a worthy adversary for Tracy
Not one of the most well-known comic book films going around, but it is still a joy to watch.
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‘Apocalypse Now’ Download and Reviews
“Apocalypse Now” Movie Details
Apocalypse Now tagline: The Horror. . . The Horror. . .
 Apocalypse Now DVD Cover |
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Mike from San Diego |
“Apocalypse Now” Movie Review
“Apocalypse Now” Plot Summary
During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.
Truly a Masterpiece
Somewhere on IMDb there is a discussion about the greatest director of all times (Spielberg, Copolla and others are named there). The greatest argument was around Spielberg and whether he is or isn’t a great director. The problem with Spielberg is that while he is a master technician, most of his films lack depth
Saving Ryan is really outstanding from a technical point of view, but its message is dull and while its very entertaining, it doesn’t make you think about anything. AN is the best movie I ever saw because it combines great shooting with a deep philosophical perspective on so many things, starting from war in general, the clash of civilizations, the condition of soldier in wartimes (is a soldier a hero or an assassin? Brando says he is neither, the french lady says he is both …) and many others. The problem with some people is that they try to argue about whether these points are true or false. But a great movie, and a great piece of art in general is supposed to spark arguments, not to solve them … Maybe Coppola is right, or maybe he isn’t, nobody holds the truth anyway. You can watch this movie for its outer beauty, amazing scenes, great acting and memorable quotes and you will be entirely satisfied. But what really make this movie a masterpiece is its inner quality. You can’t help but make a comparison with the recent Fahrenheit documentary
Both Copolla and Moore tackle similar issues, but while Copolla presents matters from an outside , objective point of view, Moore takes a very partisan position that really compromises the whole point of a documentary … It is really a shame that a film like Fahrenheit 9/11 won a prestigious award like Cannes. But anyway, if you want to start to understand a little of the Vietnam war, the Iraq war, the second World War and any war in general, you should definitely see this movie, and not the other one …
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