‘The Young Victoria’ Download and Reviews
“The Young Victoria” Movie Details
The Young Victoria tagline: Love rules all
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| Directors: Jean-Marc Vallee | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.2/10 out of 4,383 votes |
“The Young Victoria” Movie Review
“The Young Victoria” Plot Summary
A dramatization of the turbulent first years of Queen Victoria’s rule, and her enduring romance with Prince Albert. add synopsis
Amazing
I saw this on the big screen and was encapsulated with it. The period of Queen Victoria’s younger years are a mystery and this is a perfect description of how a young girl was thrusted into one of the highest roles in the world
The script is perfect, the acting is amazing, the history and attention to detail is out of this world. Emily Blunt is perfect as Victoria. Funny how her mother is played by Elizabeth the 1st and William IV is played by Prince Albert! (Think Blackadder).
This portrayal of Victoria shows that she was a rebellious young woman once – I’m sure she would have been on Jeremey Kyle Show if it had been around then: ‘My mother and her boyfriend are trying to steal my life’.A Perfect piece of a major part of British and Commonwealth history.
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‘Magnolia’ Download and Reviews
“Magnolia” Movie Details
Magnolia tagline: Things fall down. People look up. And when it rains, it pours.
 Magnolia DVD Cover |
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Reno Security Guard |
“Magnolia” Movie Review
“Magnolia” Plot Summary
An epic mosaic of several interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.
An extraordinarily moving and serious film
Magnolia is an extraordinarily moving and serious film. Its central concern is the question of what happens when people who have done bad things go unpunished in life. The two people in question Earl Partridge and Jim Gator are both being claimed by cancer ‘early’ but also after very prosperous and well-respected lives. They have both damaged their children one by direct abuse, which the film represents with unparalleled honesty and success and the other by leaving him to nurse his dying mother. Claudia Gator and Frank Mackie express this damage in their everyday lives and remain solidly opposed to reconciliation with their dying fathers. These relationships are reflected in a third abusive father-child relationship, which is still at its outset that between Stanley the child prodigy and his father, who violently exploits his son for gain on a child quiz show. Stanley’s possible future is mirrored in the life of ex-quiz quid Donnie Smith, who has been broken by his early ’success’ and is a figure of fun and hopelessness. The culmination of the film is Stanley going to his father’s bedside and delivering the words ‘Dad, you need to be nicer to me’. We are therefore left with the hope that either following a reform of his father’s behaviour or more likely through Stanley’s new found strength of character, Stanley will be saved from the permanent damage we see in Donnie, Frank and Claudia. The foil for this action is Jim Kurring, a policeman who seeks to do good. Against the backdrop of the other characters, his optimism and moral compass seem strongly tempered by naivety. He is also religious, which while it is not condemned is clearly not a solution for the other characters in the film. But his agency is still the main motor for good in the film. In the closing scene we see him providing the beginning of a rehabilitation to Claudia, which is a strongly positive closing note even if there is still along way to go for her. He also lets Donnie off a criminal charge, and we hope that Donnie will respond to this kindness by recognising the problems confronting him and beginning to take hold of his life. In these respects he is the main agency for good in the film. He does not, however, interact with the other ‘victims’ Frank and Stanley. Stanley begins to act as his own saviour. Frank is the least likely to undergo a serious reform or rehabilitation but we do at least see him weeping, which is an advancement on his previous behaviour. This is not the ‘nom (sic) plus ultra of pretentiousness and self-satisfied smugness’ or ‘a relatively unique vision’. This is real art, which examines human relationships with profound intelligence and honesty. There is not ‘much to admire and to cherish’ here: there is much to learn. It is natural for humans, as animals, to put themselves first in certain situations. But selfishness can cross a line when those on the receiving end are left with little hope of ever becoming functional people, let alone happy. The film challenges viewers to reach into their lives and ask which of their own relationships contain these elements. If a viewer empathizes with the parents, they are forced to confront the lifelong consequences of selfish parenting on a younger generation, as well as the non-forgiveness these parents are confronted by before death. But if a viewer empathizes with the children, he or she is also immediately forced to confront the basic humanity of the parent-perpetrators, as well as their obvious fallibility. This is most touchingly evident in Earl Partridge’s second wife falling in love with him for the first time on his deathbed. Depending on their age, they may empathize with both parents and children hence the final song, sung in part by all of the characters, with the chorus line ‘It’s not going to stop till you wise up’. The last line adds ‘ so just give up’, not as a serious incitement but as a challenge to continue. It is a challenge that intelligent viewers will take up.
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