‘Ghost Dog: The Way of the Samurai’ Download and Reviews

November 11, 2009 by Paul Wall  
Filed under Crime, Drama, Thriller

“Ghost Dog: The Way of the Samurai” Movie Details

Ghost Dog: The Way of the Samurai tagline: All assassins live beyond the law… only one follows the code
Ghost Dog - DVD Cover

Ghost Dog: The Way of the Samurai DVD Cover

Actors:
  • Gano Grills
  • Forest Whitaker Ghost Dog
    John Tormey Louie
    Cliff Gorman Sonny Valerio
    Dennis Liu Chinese Restaurant Owner
    Frank Minucci Big Angie
    Richard Portnow Handsome Frank
    Tricia Vessey Louise Vargo
    Henry Silva Ray Vargo
    Gene Ruffini Old Consigliere
    Frank Adonis Valerio’s Bodyguard
    Victor Argo Vinny
    Damon Whitaker Young Ghost Dog
    Kenny Guay Boy in Window
    Vince Viverito Johnny Morini
    Gangsta in Red
    Directors: Jim Jarmusch IMDB Rating: 7.5/10 out of 34,003 votes

    “Ghost Dog: The Way of the Samurai” Movie Review

    “Ghost Dog” Plot Summary

    An African American mafia hit man who models himself after the samurai of old finds himself targeted for death by the mob. add synopsis

    Sweet!

    Hi, this movie is all about REAL SAMURAI. This site is awesome. My name is Robert and I can’t stop thinking about. These guys are cool; and by cool, I mean totally sweet

    Facts: 1. Samurai are mammals. 2. Samurai fight ALL the time. 3. The purpose of the samurai is to flip out and kill people

    Samurai can kill anyone they want! Samurai cut off heads ALL the time and don’t even think twice about it. These guys are so crazy and awesome that they flip out ALL the time. I heard that there was this samurai who was eating at a diner. And when some dude dropped a spoon the samurai killed the whole town. My friend Mark said that he saw a samurai totally uppercut some kid just because the kid opened a window

    And that’s what I call REAL Ultimate Power!!!!!!!!!If you don’t believe that samurai have REAL Ultimate Power you better get a life right now or they will chop your head off!!! It’s an easy choice, if you ask me

    Samurai are sooooooooooo sweet that I want to crap my pants. I can’t believe it sometimes, but I feel it inside my heart. These guys are totally awesome and that’s a fact. Samurai are fast, smooth, cool, strong, powerful, and sweet. I can’t wait to start yoga next year. I love samurai with all of my body (including my pee pee).

    Ghost Dog - Movie Still 1 Ghost Dog: The Way of the Samurai Movie Still 2 Ghost Dog Movie Image 3 Ghost Dog: The Way of the Samurai Screen Image
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    ‘Carlito’s Way’ Download and Reviews

    October 28, 2009 by Paul Wall  
    Filed under Crime, Drama, Thriller

    “Carlito’s Way” Movie Details

    Carlito’s Way tagline:
    Carlito's Way - DVD Cover

    Carlito's Way DVD Cover

    Actors:
    Al Pacino Carlito ‘Charlie’ Brigante
    Sean Penn David Kleinfeld
    Penelope Ann Miller Gail
    John Leguizamo Benny Blanco
    Ingrid Rogers Steffie
    Luis GuzmГЎn Pachanga
    James Rebhorn Dist. Atty. Norwalk
    Joseph Siravo Vincent ‘Vinnie’ Taglialucci
    Viggo Mortensen Lalin
    Richard Foronjy Pete Amadesso
    Jorge Porcel Saso
    Frank Minucci Tony Taglialucci
    Adrian Pasdar Frankie Taglialucci
    John Ortiz Guajiro
    ГЃngel Salazar Walberto
    Directors: Brian De Palma
    IMDB Rating: 7.9/10 out of 48,177 votes

    “Carlito’s Way” Movie Review

    “Carlito’s Way” Plot Summary

    A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC. add synopsis

    One of the best movies ever; a dead end

    I think ‘Carlito’s Way’ is one of the most underestimated movies ever, a technically beautiful film, a rare pearl and in my opinion, one of the best achievements in the gangster genre. Not that people usually find it bad, they just don’t consider it as important as it actually is. Many people say it is a kind of unofficial sequel of De Palma’s ‘Scarface’, and they’re not completely wrong because there is an undeniable link between the main character of both films; Brigante is not the antithesis of Montana but just the same man if he could physically no more be a criminal. He doesn’t stop crime activities simply by choice but due to a physical obligation; Carlito represents, in a way, Tony Montana if he had lived longer. I find that this idea of the bad guy searching for redemption by necessity very interesting. And of course, Pacino is the perfect one to play such a complex role

    More fascinating are the reasons why there is no way for Carlito : he makes himself a target because he has still felonious reactions and feel indebted to Kleinsfeld; he is still conditioned by the gangster code he knows since his childhood. It is not an usual thriller at all, the romance has a great part in it, as if Pacino himself was bored of the crime genre that made him so famous and wanted to change the movie into a love story, even if the spectator knows since the beginning that it won’t be possible. The fact is that this romance is the center of Brigante’s actions; thus, in a very touching scene, Carlito explains how he has changed, is now aware of his weakness and by doing so, opposes himself to the archetype of the cold and strong drug dealer. This is people expecting some kind of usual gangster movie could be disappointed if they don’t get in mind that the center of the story is the main character’s search for love and quietness. The conclusion of this search has no importance compared to the path chosen to achieve it; Carlito’s Way is about acting, not about succeeding

    From an aesthetic point of view, the direction is well-mastered and incredibly dynamic for a film of that kind. De Palma is undeniably a virtuoso and loves more than all to make the camera move in an harmonious way, just as if it was following Pacino’s gesture. Of course, the long shot showing Carlito hidden in Grand Central illustrates well this approach. The pool sequence is also a strong example of Hitchcock’s legacy and influence on De Palma; the suspense that results from the situation is at its top and constitutes a pure form cinema based on the agreement between the main character’s feelings and the audience’s. The director also knows how to use ‘cliche’ scenes to reverse them and make them become truly original. It is something rare enough in my experience of moviegoer to be put forward

    I think De Palma developed perfectly the main character (as he did in his ‘Scarface’) and had the good idea to do not idealize him. It seems that according to the director, a gangster can hardly repent; De Palma shows how hard it is for a criminal to regain a good reputation in a society that has changed while he was in jail. Carlito himself doesn’t fully understand the world he’s coming in after his years of prison and it is one of the reasons why his integration becomes very hard. Even the rules of the underworld in which he grew up have changed in such a way that he can’t have any place in it; he progressively understands how alone he is. Of course, beside Pacino, there is Sean Penn in one of his greatest roles as Dave Kleinfeld, a lawyer that will progressively show his true color. Penelope Ann Miller also creates a very touching character and the other supporting actors (including some that were in De Palma’s ‘Scarface’) give an important contribution for creating this typical NY environment. Concerning the music, Patrick Doyle composed a wonderful and very sad theme that fits perfectly with Carlito’s tragic story. However, don’t forget the various pieces of the score that are related to clubbing and very well chosen among the best of the 70’s. Thus, I am always sad to notice that this masterpiece is not more appreciate because it’s a movie you never forget. As I am a huge Pacino fan, I have to say that to my opinion, this is his greatest and deepest performance, far away from his usual gangster roles (Tony Montana was an unusual character, but not as touching as Carlito Brigante). Furthermore, the opening sequence and the ending are certainly among the most tragic and successfully made I have ever seen in a movie. This is an emotive masterpiece. Notice that the French magazine ‘Les Cahiers du Cinema’ chose ‘Carlito’s Way’ as the best movie of the 1990’s; I truly agree with that statement. 10/10 for a pure cinema moment.

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