‘The Assassination of Jesse James by the Coward Robert Ford’ Download and Reviews

December 28, 2009 by Paul Wall  
Filed under Biography, Crime, Drama

“The Assassination of Jesse James by the Coward Robert Ford” Movie Details

The Assassination of Jesse James by the Coward Robert Ford tagline: Beyond the myth lies America’s greatest betrayal.
The Assassination of Jesse James - DVD Cover

The Assassination of Jesse James by the Coward Robert Ford DVD Cover

Actors:
Brad Pitt Jesse James
Mary-Louise Parker Zee James
Brooklynn Proulx Mary James
Dustin Bollinger Tim James
Casey Affleck Robert Ford
Sam Rockwell Charley Ford
Jeremy Renner Wood Hite
Sam Shepard Frank James
Garret Dillahunt Ed Miller
Paul Schneider Dick Liddil
Joel McNichol Express Messenger
James Defelice Baggagemaster
J.C. Roberts Engineer
Darrell Orydzuk Ukranian Train Passenger
Jonathan Erich Drachenberg Young Train Passenger
Directors: Andrew Dominik
IMDB Rating: 7.7/10 out of 52,256 votes

“The Assassination of Jesse James by the Coward Robert Ford” Movie Review

“The Assassination of Jesse James” Plot Summary

Robert Ford, who’s idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.

An epic masterpiece. Thoughtful, philosophical and profoundly existential

With a title almost as long as the 160-movie it names, regular movie-goers might be forgiven for thinking that The Assassination of Jesse James By The Coward Robert Ford is worth a miss. Too, even, that a title basically giving away the central hub of the film’s plot makes it hard for studio execs to sell the film as a sassy, gun-toting western with shlocky shoot-em-ups and angel eyes Brad Pitt darling it up in the lead role. This was all many were expecting after several re-edits, one being a but-numbing 3? hour cut, were made to a film that actually wrapped up filming in 2005. But what Chopper director Andrew Dominik has delivered, in only his second film, is an beautiful, epic, meditative poem of a western, that once again transforms the genre, once such a stable for conservative normality, by dissecting the myths that created it

Brad Pitt is uber-outlaw Jesse James, co-founder of the James-Younger gang, primarily specialising in train robberies. Casey Affleck is Robert Ford, a clumsy, awkward upstart, who is entranced by Jesse James to the point of obsession. He views him like a celebrity, studying his life, his robberies, his voice and even his mannerisms. He is so entranced that at one point whilst attempting to engage his idol in a conversation during one of James’ tin bath sessions, James very coldly utters to Ford ‘Do you want to be like me? Or do you wanna be me?’.Ford is constantly teased by his fellow thieves and gunmen, taunted for his love and idolisation of the gang ringleader. As the title suggests (or rather gives away), it leads to a tragic conclusion, a conclusion revealed so that the whole film may operate on a level far more complex than mere formulaic convention. Since we know the fate of the hero, it is not about where the journey ends, or indeed how it ends. But rather what the journey is, and how the characters deal with it. James seems to flirt with the idea of death, having been rendered a stalinesque paranoia-case after losing faith in all of his gang members. Towards the end of the film, he relies only on the help of the Ford brothers Charlie and Robert, not being able to trust any one else. He would be proved right, when Robert is the one to pull the trigger

The Assassination of Jesse James is a majestic western. It is beautifully shot in a way that doesn’t just please the eye, but utterly renders both the icy mood and bitterly cold temperature of the film it colours. The acting is first rate, with Brad Pitt playing the cold psychopath that is Jesse James with a subtle viciousness beneath his icy blue eyes. But Casey Affleck is the man who walks away with the film. Every scene he is in, he steals. His Robert Ford is brilliantly balanced between the enthusiastically enthralled and gawkish pathos. His obsession with James is understandable, given the legend of the outlaw that has spun a million myths in its wake, but it is reminiscent, at least to a modern audience, of a Mark Chapman the man who shot John Lennon. In fact one of the many themes running throughout Andrew Dominik’s film is that of the obsession with a myth. He is known as the ‘coward’ but is it to be a coward? Ford idolises James like many people do modern celebrities. When James reveals his spiteful and altogether psychotic edge to Ford, the myth is dispelled, and everything Ford had invested in him becomes crushed. All Ford could do to redeem himself, he felt, would be to kill James, and end the charade. But alas, all that did was strengthen the legend further

Perhaps in another world, it would be pleasant to know that The Assassination of Jesse James By The Coward Robert Ford gets all the credit it deserves, but it appears to have split many people up the middle. Some people think it is pretentious, and write sniffy articles about the film’s languidness. Others think it is too long and obscure. I am at the point now when it really doesn’t matter when dealing with a film of this magnitude, because it was a profoundly affecting experience, one reminiscent of the beautiful epics Terrence Malick used to make. If you find a better film this year, I would very surprised.

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‘Pretty Woman’ Download and Reviews

December 22, 2009 by Paul Wall  
Filed under Comedy, Romance

“Pretty Woman” Movie Details

Pretty Woman tagline: Who knew it was so much fun to be a hooker?
Pretty Woman - DVD Cover

Pretty Woman DVD Cover

Actors:
  • Billy Gallo
  • Richard Gere Edward Lewis
    Julia Roberts Vivian Ward
    Ralph Bellamy James Morse
    Jason Alexander Philip Stuckey
    Laura San Giacomo Kit De Luca
    Alex Hyde-White David Morse
    Amy Yasbeck Elizabeth Stuckey
    Hector Elizondo Barney Thompson
    Elinor Donahue Bridget
    Judith Baldwin Susan
    Jason Randal Magician
    Bill Applebaum Howard
    Tracy Bjork Female Guest
    Gary Greene Male Guest
    Carlos
    Directors: Garry Marshall IMDB Rating: 6.7/10 out of 57,147 votes

    “Pretty Woman” Movie Review

    “Pretty Woman” Plot Summary

    A man in a legal but hurtful business needs an escort for some social events, and hires a beautiful prostitute he meets… only to fall in love.

    A winning romantic comedy.

    Garry Marshall may not be the most interesting director working in Hollywood, but his movies are definitely entertaining, and in that sense he is successful. Perhaps his two greatest films, which also are the ones he’ll most likely be remembered for, are ‘Beaches’ and ‘Pretty Woman’. One of the most commercially successful (almost $500m worldwide!!) romantic comedies of all time,’Pretty Woman’ is a charming modern day fairy tale that works largely in part to the phenomenal on-screen chemistry between its two stars Julia Roberts and Richard Gere. In an Academy Award nominated performance as Vivian Ward, Julia Roberts truly shines. Her screen presence is nothing short of radiating, not to mention she’s a highly skilled comedic actress. The film also owes a lot to its equally strong supporting performances from Jason Alexander, Laura San Giacomo and Hector Elizondo. All cliches aside, it’s highly enjoyable and stands up superbly even after repeated viewings, a definite 10/10.

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    ‘2001: A Space Odyssey’ Download and Reviews

    December 16, 2009 by Paul Wall  
    Filed under Adventure, Mystery, Sci-Fi

    “2001: A Space Odyssey” Movie Details

    2001: A Space Odyssey tagline: Let the Awe and Mystery of a Journey Unlike Any Other Begin
    Two Thousand and One: A Space Odyssey - DVD Cover

    2001: A Space Odyssey DVD Cover

    Actors:
  • Ann Gillis
  • Keir Dullea Dr. Dave Bowman
    Gary Lockwood Dr. Frank Poole
    William Sylvester Dr. Heywood R. Floyd
    Daniel Richter Moon-Watcher
    Leonard Rossiter Dr. Andrei Smyslov
    Margaret Tyzack Elena
    Robert Beatty Dr. Ralph Halvorsen
    Sean Sullivan Dr. Bill Michaels
    Douglas Rain HAL 9000
    Frank Miller Mission controller
    Bill Weston Astronaut
    Ed Bishop Aries-1B Lunar shuttle captain
    Glenn Beck Astronaut
    Alan Gifford Poole’s father
    Poole’s mother
    Directors: Stanley Kubrick IMDB Rating: 8.4/10 out of 150,332 votes

    “2001: A Space Odyssey” Movie Review

    “Two Thousand and One: A Space Odyssey” Plot Summary

    Mankind finds a mysterious, obviously artificial, artifact buried on the moon and, with the intelligent computer HAL, sets off on a quest.

    Magnificent and deliberately mysterious

    Spoilers ahead.2001: a Space Odyssey is without a doubt the most challenging and successful film by the late Stanley Kubrick. This is not a film that you watch in order to be entertained or amused. Instead it provides you with a banquet of food for thought, images that linger in the mind’s eye long after the movie itself is over. It is a film that you could meditate on

    The film intentionally offers us more questions then it can answer, it is made to puzzle and mystify, but leaves the viewer nevertheless with a sense of awe and reverence (that is allowing that he has engaged himself in the process of viewing it, enjoyment of this film requires some effort on the viewers part) the questions that it does pose are large and ominous, concerning the genesis and destiny of the human race, it’s ultimate place in the cosmic design and the existence or lack of some creative intelligence behind the structure of the universe itself

    The first of the films Four Quartets gives us a distinct view of the species past. We see our distant ancestors, half-ape half human, in a state of near starvation. The climate has destroyed most of the plant life and the vegetarian beasts are near starvation. An extra-terestial object, a perfectly smooth and angular black monolith, appears and the animals are simultaneously inspired by it’s presence to tool-making and violence. They are transformed overnight into carnevores, and when two tribes encounter each other near a water source, the tribe that has developed tool making capacity, as well as beligerence, soundly destroys the neighboring tribe. The new chief of the winning tribe, empowered by the first vestiges of technology triumphantly throws the bone that he used as a weapon in the air. We see the bone transformed into a floating satellite, which contains nuclear weapons. We soon learn that the world is torn apart by nuclear paranoia. The characteristics inspired by the monument’s appearance that once helped us to survive now threaten our very existence

    Once again humanity is in crisis, once again the unearthly presence represented by the black monolith will step in to aid humanity in the next step in it’s development. On an exploration of the Moon a monolith identical to the earlier one we have seen is discovered. The governments of the world, normally mortal enemies, have come together in secret to discuss the implications. A mission is arranged. the monument has been engaged in some kind of radio communication with Jupiter. A few men will travel to the destination of the transmission. Most of them will, for most of the time, be kept in a state of suspended animation. The pilot of the spacecraft will be HAL a super computer who has been programmed to imitate all of the traits of human beings

    The film has many outstanding sequences. As usual for Kubrick the use of classical music is outstanding. Most memorable are ‘Blue Danube’ and ‘Also Spake Zarathustra’ (particularly appropriate given the film’s theme of transcending ordinary consciousness.) The cinematography is particularly excellent as well, after a single viewing the film’s final 30 minutes will haunt you for the rest of your life

    The character of HAL is the most important from the view of the film’s central thesis. In imitating all the characteristics of human beings he comes to have their negative traits as well. The paranoia he develops which almost leads to the mission’ s ruin is an exact mirror of the paranoia that has allowed the political situation back on earth to reach a point of desperate crisis. The film suggests that these are the traits that we must leave behind if we are to proceed to the next phase in our evolution

    The architecture of the film is also meaningful. The designs of many of the spacecraft are intended to suggest reproductive organs and the process of birth and rebirth, the central motif of the movie. The ending of 2001 is the most spectacular and triumphant ever filmed

    This movie takes a view of life similar to that presented in the poetry of William Butler Yeats and James Joyce’s novel Finnegan’s Wake. It posits a pattern to history and human evolution that is cyclic, yet progressive, repeating the same events at large intervals, yet with the human race as developing according to the will of a being with a larger purpose in mind. Though we never learn what this purpose is, the film assures us that the human race is not meant for failure, it’s destiny is grand beyond it’s capacity to imagine. It continues to amaze me that in spite of this film many people continue to regard Kubrick as a misanthrope

    This is a religious film, not in the conventional sense of adhering to any specific creed, but because of it’s invocation of wonder at the vast panorama of existence and it’s involvement with the deepest and most vital questions of purpose and truth. In the hands of any other director, this would all be perhaps a little too much. Hollywood’s view of life is too puny, usually to encompass the grandeur and intensity of a vision such as this one. But Kubrick was a visionary, he directs with utter confidence, not only that he can handle material of this kind, but that he is the only one to do it. The process of making this film used all of his creative resources. The writing partnership with Arthur C Clarke is the most fruitful in cinematic history. Kubrick had to invent some of the special effects that were used in the movie’s astounding climax. The resources to bring his vision to life did not exist at the time, so he brought them into existence.2001 is a absolutely unique movie experience. Those who miss out on it do so at the detriment of their own intellectual and imaginative capacities.

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    ‘The Untouchables’ Download and Reviews

    November 17, 2009 by Paul Wall  
    Filed under Crime, History, Thriller

    “The Untouchables” Movie Details

    The Untouchables tagline: The Chicago Dream is that big
    The Untouchables - DVD Cover

    The Untouchables DVD Cover

    Actors:
  • Robert Swan
  • Kevin Costner Eliot Ness
    Sean Connery Jim Malone
    Charles Martin Smith Agent Oscar Wallace
    Andy Garcia Agent George Stone/Giuseppe Petri
    Robert De Niro Al Capone
    Richard Bradford Police Chief Mike Dorsett
    Jack Kehoe Walter Payne
    Brad Sullivan George
    Billy Drago Frank Nitti
    Patricia Clarkson Catherine Ness
    Vito D’Ambrosio Bowtie driver
    Steven Goldstein Scoop
    Peter Aylward Lt. Anderson
    Don Harvey Officer Preseuski
    Mountie captain
    Directors: Brian De Palma IMDB Rating: 8.0/10 out of 81,424 votes

    “The Untouchables” Movie Review

    “The Untouchables” Plot Summary

    Federal Agent Elliot Ness sets out to take out Al Capone; because of rampant corruption, he assembles a small, hand-picked team.

    Great fun

    A really terrific movie even if it does suffer from some plot holes and overly sentimental and long scenes, The Untouchables remains one of DePalma’s best, probably his last great film to date. Connery and Garcia are fantastic, and **spoiler alert** Connery’s death scene remains one of the best ever **. But as good as they are, De Niro’s Capone is a highlight, especially the ‘baseball’ scene. Well shot and well written as well. Lots of fun!

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    ‘Carlito’s Way’ Download and Reviews

    October 28, 2009 by Paul Wall  
    Filed under Crime, Drama, Thriller

    “Carlito’s Way” Movie Details

    Carlito’s Way tagline:
    Carlito's Way - DVD Cover

    Carlito's Way DVD Cover

    Actors:
    Al Pacino Carlito ‘Charlie’ Brigante
    Sean Penn David Kleinfeld
    Penelope Ann Miller Gail
    John Leguizamo Benny Blanco
    Ingrid Rogers Steffie
    Luis GuzmГЎn Pachanga
    James Rebhorn Dist. Atty. Norwalk
    Joseph Siravo Vincent ‘Vinnie’ Taglialucci
    Viggo Mortensen Lalin
    Richard Foronjy Pete Amadesso
    Jorge Porcel Saso
    Frank Minucci Tony Taglialucci
    Adrian Pasdar Frankie Taglialucci
    John Ortiz Guajiro
    ГЃngel Salazar Walberto
    Directors: Brian De Palma
    IMDB Rating: 7.9/10 out of 48,177 votes

    “Carlito’s Way” Movie Review

    “Carlito’s Way” Plot Summary

    A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC. add synopsis

    One of the best movies ever; a dead end

    I think ‘Carlito’s Way’ is one of the most underestimated movies ever, a technically beautiful film, a rare pearl and in my opinion, one of the best achievements in the gangster genre. Not that people usually find it bad, they just don’t consider it as important as it actually is. Many people say it is a kind of unofficial sequel of De Palma’s ‘Scarface’, and they’re not completely wrong because there is an undeniable link between the main character of both films; Brigante is not the antithesis of Montana but just the same man if he could physically no more be a criminal. He doesn’t stop crime activities simply by choice but due to a physical obligation; Carlito represents, in a way, Tony Montana if he had lived longer. I find that this idea of the bad guy searching for redemption by necessity very interesting. And of course, Pacino is the perfect one to play such a complex role

    More fascinating are the reasons why there is no way for Carlito : he makes himself a target because he has still felonious reactions and feel indebted to Kleinsfeld; he is still conditioned by the gangster code he knows since his childhood. It is not an usual thriller at all, the romance has a great part in it, as if Pacino himself was bored of the crime genre that made him so famous and wanted to change the movie into a love story, even if the spectator knows since the beginning that it won’t be possible. The fact is that this romance is the center of Brigante’s actions; thus, in a very touching scene, Carlito explains how he has changed, is now aware of his weakness and by doing so, opposes himself to the archetype of the cold and strong drug dealer. This is people expecting some kind of usual gangster movie could be disappointed if they don’t get in mind that the center of the story is the main character’s search for love and quietness. The conclusion of this search has no importance compared to the path chosen to achieve it; Carlito’s Way is about acting, not about succeeding

    From an aesthetic point of view, the direction is well-mastered and incredibly dynamic for a film of that kind. De Palma is undeniably a virtuoso and loves more than all to make the camera move in an harmonious way, just as if it was following Pacino’s gesture. Of course, the long shot showing Carlito hidden in Grand Central illustrates well this approach. The pool sequence is also a strong example of Hitchcock’s legacy and influence on De Palma; the suspense that results from the situation is at its top and constitutes a pure form cinema based on the agreement between the main character’s feelings and the audience’s. The director also knows how to use ‘cliche’ scenes to reverse them and make them become truly original. It is something rare enough in my experience of moviegoer to be put forward

    I think De Palma developed perfectly the main character (as he did in his ‘Scarface’) and had the good idea to do not idealize him. It seems that according to the director, a gangster can hardly repent; De Palma shows how hard it is for a criminal to regain a good reputation in a society that has changed while he was in jail. Carlito himself doesn’t fully understand the world he’s coming in after his years of prison and it is one of the reasons why his integration becomes very hard. Even the rules of the underworld in which he grew up have changed in such a way that he can’t have any place in it; he progressively understands how alone he is. Of course, beside Pacino, there is Sean Penn in one of his greatest roles as Dave Kleinfeld, a lawyer that will progressively show his true color. Penelope Ann Miller also creates a very touching character and the other supporting actors (including some that were in De Palma’s ‘Scarface’) give an important contribution for creating this typical NY environment. Concerning the music, Patrick Doyle composed a wonderful and very sad theme that fits perfectly with Carlito’s tragic story. However, don’t forget the various pieces of the score that are related to clubbing and very well chosen among the best of the 70’s. Thus, I am always sad to notice that this masterpiece is not more appreciate because it’s a movie you never forget. As I am a huge Pacino fan, I have to say that to my opinion, this is his greatest and deepest performance, far away from his usual gangster roles (Tony Montana was an unusual character, but not as touching as Carlito Brigante). Furthermore, the opening sequence and the ending are certainly among the most tragic and successfully made I have ever seen in a movie. This is an emotive masterpiece. Notice that the French magazine ‘Les Cahiers du Cinema’ chose ‘Carlito’s Way’ as the best movie of the 1990’s; I truly agree with that statement. 10/10 for a pure cinema moment.

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    ‘Mad Max Beyond Thunderdome’ Download and Reviews

    October 11, 2009 by Paul Wall  
    Filed under Action, Adventure, Sci-Fi

    “Mad Max Beyond Thunderdome” Movie Details

    Mad Max Beyond Thunderdome tagline: Max is back…and Tina’s got him!
    Mad Max 3 - DVD Cover

    Mad Max Beyond Thunderdome DVD Cover

    Actors:
    Mel Gibson ‘Mad’ Max Rockatansky
    Tina Turner Aunty Entity
    Bruce Spence Jedediah the Pilot
    Adam Cockburn Jedediah Jr.
    Frank Thring The Collector
    Angelo Rossitto The Master
    Paul Larsson The Blaster
    Angry Anderson Ironbar
    Robert Grubb Pig Killer
    George Spartels Blackfinger
    Edwin Hodgeman Dr. Dealgood
    Bob Hornery Waterseller
    Andrew Oh Ton Ton Tattoo
    Ollie Hall Aunty’s Guard
    Lee Rice Aunty’s Guard
    Directors: George Miller and George Ogilvie
    IMDB Rating: 5.9/10 out of 22,596 votes

    “Mad Max Beyond Thunderdome” Movie Review

    “Mad Max 3″ Plot Summary

    Mad Max becomes a pawn in a decadent oasis of technological society, and when exiled, becomes the deliverer of a colony of children. add synopsis

    Deepest of the three movies

    The other two are of course better for raw action and thrilling car chases and this movie could not exist without them, but here we really expose a deeper story that was lacking, particularly in the Road Warrior which only hinted at a love or surrogate family angle (the Warrior Woman and feral boy).

    Max finally regains his humanity and succeeds in rebuilding civilization through his sacrifice

    The villains are fantastically rich characters here, far more interesting than the antagonists from the first two movies. They also provide the foil for Max to grow beyond his mere drifting. Both Auntie and Master reveal themselves as far more human than Humungous

    The dialog is fantastic, particularly the idiomatic modes of speech for Master and the lost children

    As mentioned in another review, I do agree recasting the gyro-copter captain as yet another scheming pilot is a bit strange, but you can get past that

    The movie reminds us that ’society’ is much more than reliable electricity (pig sh*t), a system of trade (Bust a deal and face the wheel) and a mechanism for dispute resolution (two men enter, one man leaves) and while Auntie has succeeding in creating the basic elements of a functioning ’society’ in Bartertown it remains just as awful as the world seen in the second movie

    I think it was outstanding to conclude the series this way rather than trying to somehow ‘top’ the first two in raw violence, action or car scenes.

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    ‘The Mist’ Download and Reviews

    October 10, 2009 by Paul Wall  
    Filed under Drama, Horror, Sci-Fi

    “The Mist” Movie Details

    The Mist tagline: Stephen King’s Legendary Tale of Terror
    The Mist - DVD Cover

    The Mist DVD Cover

    Actors:
    Thomas Jane David Drayton
    Marcia Gay Harden Mrs. Carmody
    Laurie Holden Amanda Dunfrey
    Andre Braugher Brent Norton
    Toby Jones Ollie
    William Sadler Jim Grondin
    Jeffrey DeMunn Dan Miller
    Frances Sternhagen Irene
    Alexa Davalos Sally
    Nathan Gamble Billy Drayton
    Chris Owen Norm
    Sam Witwer Wayne Jessup
    Robert C. Treveiler Bud Brown
    David Jensen Myron
    Jay Amor Shopper #4
    Directors: Frank Darabont
    IMDB Rating: 7.4/10 out of 70,596 votes

    “The Mist” Movie Review

    “The Mist” Plot Summary

    A freak storm unleashes a species of blood-thirsty creatures on a small town, where a small band of citizens hole-up in a supermarket and fight for their lives.

    A great horror movie and a great deal more!

    Most modern horror movie are simply ((insert expletive here)) these days. They either end up as a PG13 (ooh, scary!) or they end up with the hero winking into the camera and riding off into the sunset

    The Mist does none of this. It is scary, violent and follows through to a logical, hardcore horror ending. The last horror film this good was 28 Days Later (kinda) or the Dawn of the Dead redo (for sure).

    I don’t need spoilers to get across that if you’re a horror fan and you want to see a good kick ass R rated horror flick, you’ve come to the right place. Hell, even my wife thought it kicked ass and she’s a stickler for logic in movies

    Just make sure you’re not sitting next to any plate glass windows and you’ll be fine! Oh, and if you read original novella, like I did, you’ll also be pleasantly surprised because THIS movie is true to the story it came from

    Well done Frank Darabont for directing a great Stephen King adaptation … how about doing The Stand next?

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    ‘Son of Rambow’ Download and Reviews

    October 9, 2009 by Paul Wall  
    Filed under Comedy, Drama, Family

    “Son of Rambow” Movie Details

    Son of Rambow tagline: Make Believe. Not War.
    Son of Rambow - DVD Cover

    Son of Rambow DVD Cover

    Actors:
  • Atila Emirali
  • Neil Dudgeon Joshua
    Bill Milner Will Proudfoot
    Will Poulter Lee Carter
    Paul Ritter Geography Teacher
    Taylor Richardson David Smart
    Peter Robinson Lucas Dupont
    Charlie Thrift Duncan Miller
    Jules Sitruk Didier Revol
    Sam Kubrick-Finney Danny
    James Clarke Shaun
    Eric Sykes Frank
    Ed Westwick Lawrence
    Lee Long Lawrence’s Henchman #1
    Adam Paul Harvey Lawrence’s Henchman #2
    Rambo Double
    Directors: Garth Jennings IMDB Rating: 7.2/10 out of 12,159 votes

    “Son of Rambow” Movie Review

    “Son of Rambow” Plot Summary

    During a long English summer in the early 1980s, two schoolboys from differing backgrounds set out to make a film inspired by First Blood (1982). add synopsis

    Beautiful, Funny, Deeply Moving

    I am so grateful that I was able to see a preview of this sweet, wonderful film last night

    From the trailer, I expected a funny, cute, warm movie. Son of Rambow was all that, and SO MUCH more. The performances by the two main characters were outstanding. The depth of emotion, and honest, gripping portrayals blew me away. I was quite surprised to hear that neither boy had acted before. Natural, mesmerizing talent

    The film is fun to watch, and very funny at times, but it goes so much deeper. The issues of parental abandonment, social isolation, and religious repression are seen and felt, without editorial commentary. On a personal level, I related so strongly to little Will, struggling to find his own way, and listen to his own inner guidance, at the risk of shaming his family in the eyes of their cult

    This film is a fun, entertaining and deeply touching treat

    I highly recommend it to all.

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    ‘Pearl Harbor’ Download and Reviews

    September 25, 2009 by Paul Wall  
    Filed under Action, Drama, Romance

    “Pearl Harbor” Movie Details

    Pearl Harbor tagline: It takes a moment to change history. It takes love to change lives.
    Pearl Harbor - DVD Cover

    Pearl Harbor DVD Cover

    Actors:
  • Michael Shannon
  • Ben Affleck Capt. Rafe McCawley
    Josh Hartnett Capt. Danny Walker
    Kate Beckinsale Nurse Lt. Evelyn Johnson
    Cuba Gooding Jr. Petty Officer Doris Miller
    Jon Voight President Franklin Delano Roosevelt
    Alec Baldwin Lt. Col. James Doolittle
    Tom Sizemore Sgt. Earl Sistern
    William Lee Scott Lt. Billy Thompson
    Greg Zola Lt. Anthony Fusco
    Ewen Bremner Lt. Red Winkle
    Jaime King Nurse Betty Bayer
    Catherine Kellner Nurse Barbara
    Jennifer Garner Nurse Sandra
    Sara Rue Nurse Martha
    Lt. Gooz Wood
    Directors: Michael Bay IMDB Rating: 5.4/10 out of 90,687 votes

    “Pearl Harbor” Movie Review

    “Pearl Harbor” Plot Summary

    Pearl Harbor follows the story of two best friends, Rafe and Danny, and their love lives as they go off to join the war.

    Great Cast! Great Characters! Great Effects! Good Acting.

    We really enjoyed this movie. With Parents who survived WW2 and lived through many things during the war, many of us have much to appreciate

    Pearl Harbor has a Great Cast- Great Characters- Great Effects and some very good acting. Yes, this is a real Michael Bay film. Yes, we waited a few weeks to see it because of some of the reviews and comments but it was very worth seeing. The first hour was necessary contrary to some whiners. This is not a documentary. They had to give us people to understand, know something about and feel what makes them up. Very good acting by all. Great acting by Ben, Josh, Kate and Cuba to name a few. All true Stars. No Academy award performances but close

    Kate Beckensdale should land more movies after this excellent role. Not just be cause she is incredibly beautiful but because she can act too

    The movie was long but so was the war with Japan. The story keeps you hooked right up to the end. Rooting for everyone. Would not hesitate to see it again or buy the DVD!

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    ‘Blood: The Last Vampire’ Download and Reviews

    September 22, 2009 by Paul Wall  
    Filed under Action, Horror, Thriller

    “Blood: The Last Vampire” Movie Details

    Blood: The Last Vampire tagline: Where evil grows she preys
    Blood: The Last Vampire - DVD Cover

    Blood: The Last Vampire DVD Cover

    Actors:
    Gianna Jun Saya
    Allison Miller Alice Mckee
    Masiela Lusha Sharon
    JJ Feild Luke
    Koyuki Onigen
    Liam Cunningham Michael
    Yasuaki Kurata Kato Takatora
    Michael Byrne Elder
    Colin Salmon Powell
    Andrew Pleavin Frank Nielsen
    Larry Lamb General Mckee
    Constantine Gregory Principal Henry
    Ailish OConnor Linda
    Joey Anaya Creature
    Jamal Duff Bouncer
    Directors: Chris Nahon
    IMDB Rating: 5.4/10 out of 3,258 votes

    “Blood: The Last Vampire” Movie Review

    “Blood: The Last Vampire” Plot Summary

    A vampire named Saya, who is part of covert government agency that hunts and destroys demons in a post-WWII Japan, is inserted in a military school to discover which one of her classmates is a demon in disguise. |

    Blood:The Last Vampire

    After WWII in Japan, it is shown that there are powerful demons which can assume human form yet have no soul. What makes Saya(Gianna Jun) unique is that she is a ‘half-ling’, part demon, part human. We come to understand that Saya’s father was a great warrior, a demon slayer who must’ve fell in love with the very thing he hated, a hybrid spawn resulting from this unusual union. Saya was raised by her father’s retainer, Kato(Yasuaki Kurata), himself a great warrior who taught her how to fight, using her ‘disadvantage’ regarding the demon side as an advantage, developing a skill of swordplay which makes her a threat to the monsters..her target is Onigan(Koyuki), a female demon, the oldest and most powerful, the one who not only killed her father but sent her henchman and a host of goons to assassinate Kato. Saya works for a covert American group known as the Agency, their objective remains to annihilate the demon uprising, in order to protect the human race. Enter teenager Alice(Allison Miller), the daughter of a General(Larry Lamb) who is over a base stationed in Japan. Alice is rescued by Saya who was sent into the military base’s school to uncover demons masquerading as students. Soon the Agency and military butt heads when Saya finishes off the demons and Alice continues to profess her claims that the two students in her class were killed, her General father unwilling to except such a fantastic story as the one she tells. When the General pokes his nose in too far, one of the Agency’s chief officers eliminates the threat to their mission, in the hopes of silencing any chance of ruining their secret operation. Soon, Saya and Alice form a friendly pact, saving each other’s lives along the way, having to fight off Agency hit men and demons as well.

    What could’ve been a smashing action film is completely eviscerated by an over-reliance on CGI, particularly the blood. There’s some fantastic camera work and the action sequences are set up to be breathtaking, upended by CGI at every turn..never once, does the film escape it’s artificiality. I’m a Lady Snowblood guy. I love practical effects when it comes to a female warrior slaying villains. Nothing wrong with the casting of Jun as Saya or Miller as her ally Alice, but Blood:The Last Vampire reeks of Hollywood. It looks tailored to an American audience with my worst fears realized. It looks and feels like a Hollywood movie. I watch these movies for their distinctive ‘Japanese’ aesthetic, the willingness to go way out there in regards to violence, using practical methods produced by hands and materials not manufactured by a computer. When I see a sword slice into the enemy I want geysers of thick, textured film blood, gushing all over the place. Arterial spray flowing like a fountain without end. Puddles of bright red crimson pouring forth. Not this manufactured computer generated crap passed off as blood which isn’t the least bit convincing. Neither are the scenes where body parts are hacked off or necks ripped open. There’s an entire scene where Alice and Saya are driving a truck, swerving on a road which winds around a mountain, dealing with a winged one-eyed demon(..this demon was a victim of Saya’s, the one responsible for killing Kato)that never once achieves even a sense of realism. This whole movie is essentially a video game with live action characters within. I’ve seen a great many movies with Japanese female assassins, equipped with the ability to combat an innumerable amount of enemy forces, impressively gifted with a Katana sword, and the good ones have an air of believability no matter how preposterous the situation might be(..as well as those Samurai movies where a male warrior would massacre an army before succumbing to his fatal wounds). But, in this movie’s case, the use of CGI is so frequent that it removes the thrill of seeing humans in bitter conflict. You get plenty of violence and bodies are often thrown through walls. If you are fine with movies that look and feel like something you’d play on Nintendo, then this is for you. As for yours truly, I’ll just watch Sex & Fury instead. I will say that I’m gonna keep an eye our for Allison Miller, for she has a lot of potential.

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