‘American Pie’ Download and Reviews
“American Pie” Movie Details
American Pie tagline: There’s something about your first piece.
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Coach Marshall |
“American Pie” Movie Review
“American Pie” Plot Summary
Four teenage boys enter a pact to lose their virginity by prom night. add synopsis
This is a FUNNY movie!
When I went to the theatre with my boyfriend to see this movie, we both got carded! I couldn’t believe it..her we are 22 & 25 respectively, and we are getting carded for a movie…this one must be really raunchy I thought. I was right! For anyone who liked ‘Something About Mary’, you will definitely like this one. It had me laughing so much, I almost fell off my seat…literally! There is one scene in particular that had me gagging and trying not to throw-up, both from laughing and from the grossness of the scene. There is not much more to say than GO SEE THIS MOVIE with out giving out the details of the movie. You won’t be disappointed!
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‘The Princess and the Frog’ Download and Reviews
“The Princess and the Frog” Movie Details
The Princess and the Frog tagline:
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| Directors: Ron Clements and John Musker | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.7/10 out of 7,377 votes |
“The Princess and the Frog” Movie Review
“The Princess and the Frog” Plot Summary
A fairy tale set in Jazz Age-era New Orleans and centered on a young girl named Princess Tiana and her fateful kiss with a frog prince who desperately wants to be human again.
By Jove…it’s actually GOOD!
I’ve said my share of disparaging words against the Walt Disney Company, and let’s face it; they’ve put out more than their share of garbage over the years. It seems as if Pixar has been pulling their dead weight for the past decade as they’ve put out offensively bad DTV releases and pumping their money and resources into their sub par T.V. station and musical acts (though I will say that Lilo and Stitch, as well as The Emperor’s New Groove, which I consider to be one of Disney’s funniest releases). Yes, it seemed that all hope was lost for the Mouse and that anything original and thought provoking associated with the Disney name would have that cute little bouncing lamp right along side
Imagine my surprise when I saw The Princess and the Frog yesterday. Surprise nothing! I nearly went into a shock induced coma. This was a brilliant film, something truly worthy of Uncle Walt’s iconic signature. This film had all the makings of a Disney classic: great story, great characters, great music, and of course, great art
One thing I always give the Walt Disney Co. credit for is their masterful art work in their features, even the less than stellar ones. This has, especially, been the case the past 20-25 years. Some of the same artists that worked on the more recent classics like The Little Mermaid and Beauty and the Beast worked on Princess and the Frog. I was told after the film that the same man that drew Belle (Randy Cartwright) drew for Tiana, and you can tell. The art in general in this movie is extremely impressive. Not only are all the characters well drawn, but the backgrounds are breath taking, very reminiscent of Hunchback of Notre Dame. They seem to take you into a painting of the location without losing it’s touch with reality. Also, the use of different art styles stood out, especially the ‘Almost There’ number, which was drawn mostly in the Art Deco style
Randy Newman’s score left the biggest impression on my after the film was over, though. I think this is the first time a Disney feature used, primarily, North American music styles like jazz, ragtime, southern gospel, and even zydeco. Of course, like any great Disney feature; Princess and the Frog had it’s signature musical number: the previously named ‘Almost There’. With a great tune, appropriate lyrics, and of course, the voice of Anika Noni Rose; I’m sure (and I hope) this will become another Disney standard. Unlike some Disney films, there wasn’t that dreadful ‘Oh dear merciful God, when is this going to end’ number. Every song was thought out, appropriate for it’s setting, and just…good. Kudos to Randy Newman, who will hopefully get an Oscar nomination (at least) for this film
Then, of course, there’s the high water mark for not only Disney movies, but for movies in general, especially animation films: characters and story. Movies can have an amazing score and even good animation, but if the story flops and if the characters are insufferable, then it’s going nowhere. This movie, thankfully, had neither problem. There was no character that you wish would just go get himself or herself bent. Everyone served his or her purpose in the movie
Like many of the newer Disney movies, The Princess and the Frog had a, well…Princess character that was blue collar and hard working
Tiana is young woman from the slums of New Orleans, whose sole purpose in life is to open up a successful restaurant serving authentic Louisiana cuisine. Of course, the man puts her down and she finds herself sunk. I will say that I’m VERY proud of Disney for not shoving the race issue down our throats and, at the same time, for not avoiding it all together. This was seen in the scene where the land lords of the building she’s looking to purchase
At the same time, a lazy hedonistic prince comes to New Orleans looking for a (Rich) bride since his monetary supply has been cut off by his parents. He sets his sights on a bona fide southern belle named Charlotte, Tiana’s foil and best friend. The Prince and his reluctant English servant (what prince would be complete without one) get sidetracked by a voodoo man/street performer named Dr. Facilier aka ‘The Shadow Man’, a slick deceitful crook with his own silhouette as a side kick (and yes, they are able to make it work). Dr. Facilier says both Prince Naveeh and Lawerence will get what they both desire most (money and a life without servitude, respectively). Louis is turned into the Prince (or at least, given his body) while Naveeh turns into…a smiley frog; which as we learn throughout the film is mucus
Naveeh meets Tiana after she changes clothes (and after her dreams of owning her own restaurant). Tiana, who is less than fond of frog, tries to kill our hero; but later finds out that this is a frog with a difference…he can talk. After Naveeh sees a copy of a print version of, appropriately enough, the Princess and the Frog, he asks Tiana (Who is wearing a tiara at the time) to kiss him, believing that she is, indeed, royalty herself; though he later finds out that she is a waitress. He promises that after she kisses him, something she is far from enthusiastic about, he will make her dream of owning her own restaurant a reality. Well, she does kiss him, but there’s a bit of a SNAFU: she turns into a frog herself. The two of them must find a way to become human again. Along the way, they meet a cavalcade of characters including a trumpet playing alligator (and yes, they are able to make it work somehow) and a Cajun firefly named Ray
The Princess and the Frog, a movie (I hope) that is destined for greatness.
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‘Unbreakable’ Download and Reviews
“Unbreakable” Movie Details
Unbreakable tagline: Shattering cinemas soon.
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| Directors: M. Night Shyamalan | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.3/10 out of 89,672 votes |
“Unbreakable” Movie Review
“Unbreakable” Plot Summary
A suspense thriller with supernatural overtones that revolves around a man who learns something extraordinary about himself after a devastating accident.
Larger than life
Unbreakable is a film which takes you through a different path each and every time you see it. Rarely do we come across films with underlying themes that force the viewer to sit and think why he is here, whats his role in this world, why was he born, is there any meaning and purpose to his life. Unbreakable does exactly that.
The theme is simple – if there is good, there is evil….if there is strong, there is weak….if there is intelligent, there is insane….that is how the world is…that is how it WILL be..and that is exactly what we must understand as humans, and choose our path accordingly. I’ve never seen a better film with such brilliant, thought-provoking themes.
I don’t want to reveal anything else about the movie. Get the DVD, and sit down and watch the movie without any disturbance, you’ll fall in love.
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‘Sleeping with the Enemy’ Download and Reviews
“Sleeping with the Enemy” Movie Details
Sleeping with the Enemy tagline: Self-Defense is not murder
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| Directors: Joseph Ruben | |||||||||||||||||||||||||||||||
| IMDB Rating: 5.7/10 out of 13,827 votes |
“Sleeping with the Enemy” Movie Review
“Sleeping with the Enemy” Plot Summary
Laura and Martin have been married for four years. They seem to be the perfect, happiest and most successful couple… add synopsis
I can’t live without you. And I won’t let you live without me!
After Julia Roberts hit big with the vastly overrated Pretty Woman, she tried to broaden her palette and move from the bubbly, frothy rom-coms she began in. First up was Flatliners, the disappointing life after death thriller that had no idea how to tackle its subject without lapsing into cliche, and then the much better Sleeping with the Enemy
Sleeping with the Enemy has faded somewhat over the years, even though it was a reasonable success at the time. But I think its a film well worth reexamination. It deserves commendation for having the guts to dig into domestic abuse, seen through the eyes of a wife, running for her life from an abusive husband
The opening scenes are the best, because this is where we get to see something of they’re marriage. Laura (Roberts) has been married to Martin (Patrick Bergin) for over three years (eight months, six days). Martin is handsome, wealthy, an attentive husband and he and Laura enjoy an active sex life. Director Joseph Rubin uses considerable subtlety in the early scenes to illustrate there’s trouble in paradise. Like when Martin and Laura are getting ready to go to a party. Laura is all ready, but after Martin’s remark about wearing a different dress, in the following scene at the party, Laura’s not only changed her dress, she’s changed her whole look. Her hair. Her earrings. Everything
This continues into the next scenes. The hand towels aren’t arranged properly. Something Martin has to remind Laura of. Prompting Laura to hastily rearrange the cans in the cupboard so the labels all face forward. It all builds to its crescendo when Martin talks to a neighbour. After hearing something he doesn’t like (‘that must be your wife I’ve seen staring out the window’), he suddenly hits Laura. Its a scene that shocks you into numbness. Its the first time that Martin drops his mask of smooth charisma, and reveals himself as the impulsive control freak he really is
I wish there had been more scenes like that. I would have liked to have seen more of they’re marriage. The rest of the film falls into a much more obvious stride. Laura fakes her own death, because nothing else would ever get Martin out of her life. And when he learns the deception, he begins an obsessive hunt for Laura. Its only a minor disappointment. That doesn’t get in the way of a suspenseful, psycho-thriller. And Joseph Rubin keeps the screws turning with an unbearable relentlessness
Rubin’s direction is so polished the film glides at a frightening pace. SWTE loses momentum a little in the scenes without Martin, but it isn’t long before he’s back in the picture again, and when he is, the tension level jumps right back into the red. His whole investigation into the too many clues Laura has left behind are terrifying the way he follows them like a trail of breadcrumbs right to her new front door. In fact SWTE often reminds me of the Robert Mitchum classic Night of the Hunter. They both share a similar structure. Of someone on the run, trying to start a new life but a crazed psychotic from the past is on they’re trail
Julia Roberts is OK, if a bit too quietly played. Certainly she can be an engaging screen presence. She won a well deserved Oscar for Erin Brockovich. But she never really brings Laura to life. You never get the impression she’s slowly emerging from her shell, and blossoming into a confident new woman. And her scenes with Kevin Anderson, her next door neighbour who wants to help are dreadfully twee, and drag the film right down. There’s never that much chemistry between them. Besides, everyone in the cast gets completely upstaged by Patrick Bergin
Patrick Bergin is a greatly underrated actor. With his handsome looks and winning charisma, he has all the qualities necessary to be a perfect leading man. But sadly, Bergin has never had the career he so richly deserves, even though he has talent to spare. Still, whenever someone has the brains to cast him, he never fails to steal the show, and Sleeping with the Enemy is no exception
Bergin is a powerful presence whenever he’s on screen. Like a black storm cloud on the horizon, he’s come to turn Laura’s sunny new life upside down. With his imposing height, silky voice and persuasive charm, he captures the attention effortlessly. He makes Martin utterly charming one minute, and then perfectly sinister the next. Clearly enjoying every minute of this, he relishes playing the irredeemable bastard. He’s quite funny at times too. Martin delights in his own cruelty. He even seems privately amused by it. Why Bergin never became a major star after this is a genuine mystery. His dark magnetism propels the entire film. Without him, it would be nothing
It all ends a bit predictably, but Sleeping with the Enemy is a worthwhile addition to the psycho-genre. The familiar story is buoyed by Bergin’s captivating performance, and Rubin’s dexterous direction. There’s also a great musical score from the late Jerry Goldsmith. Seemingly innocuous one minute. Edgy as hell the next. Symphony Fantastique by Berlioz is put to great effect too. It chills to the bone, and works its way into your psyche so well that whenever you hear it in the future, its guaranteed to make you think of Sleeping with the Enemy.
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