‘Jumper’ Download and Reviews
“Jumper” Movie Details
Jumper tagline: anywhere is possible.
Actors:
|
|||||||||||||||||||||||||||||||
| Directors: Doug Liman | |||||||||||||||||||||||||||||||
| IMDB Rating: 5.9/10 out of 63,917 votes |
“Jumper” Movie Review
“Jumper” Plot Summary
A genetic anomaly allows a young man to teleport himself anywhere. He discovers this gift has existed for centuries and finds himself in a war that has been raging for thousands of years between “Jumpers” and those who have sworn to kill them.
Insanely idiotic and vapid
I ended up watching this movie by chance and considering how hard I can resist to walk out a theatre to give the film a chance, I inflicted myself some serious pressure not to walk away
I honestly can’t think of anything redeeming. The storyline is so bland I can only picture a bunch of 14yo Beavis and Butthead teenagers writing this on a clownpointed Saturday detention assignment. The characters are weak and predictable. The so called ‘great’ life David has is boring beyond words and looks like a mere cliche of a pure teenage fantasy. The way the story goes turns him into a little unappealing selfish spoiled boring knucklehead. Oh lord, prevent me from cringing. CRINGE CRINGE CRINGE! Jamie Bell is an awful actor and so irritating, Samuel L. Jackson is out of place, Rachel Bilson tries her best but what’s all the fuss about these people? I’d damn myself for eternity for taking part even in a minor role of this movie. The end is just even worse, fizzling out into the outer space of vergognaland
Save your money, that’s the best advice I can give.
| Click here for more “Jumper” Posters |
|||
‘RoboCop’ Download and Reviews
“RoboCop” Movie Details
RoboCop tagline: Part man. Part machine. All cop. The future of law enforcement.
Actors:
|
|||||||||||||||||||||||||||||||
| Directors: Paul Verhoeven | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.6/10 out of 49,317 votes |
“RoboCop” Movie Review
“RoboCop” Plot Summary
In a dystopic & crime ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg with submerged memories haunting him.
Great science fiction from Verhoeven
‘Robocop’ was what gave the world the robotic police officer that would rival the Terminator as the greatest cyborg film character of all time. Although, I’m not gonna take a side in that debate, but I am gonna give Robocop the recognition it deserves. He was something that was totally new at the time (1987), and since then the movie got 2 (crappy) sequels, a comic book and a mini-series
Robocop is set in the future and portrays a very dark version of Detroit, and its crime level has gone up considerably. In it, a cop named Alex Murphy gets literally blown away by a gang of nasty criminals on his first day on the job. But later a company (OCP) uses his remains to build a mechanical cop in order to cut down on the crime in order to build ‘Delta City’ to replace the corrupted dystopia that was once Detroit. Later on, Robocop makes a name for himself around the city, but unexpectedly he starts remembering what he was before his death, and through this we start to learn more about Murphy since we didn’t zilch about him before he died. And this is how he starts to regain his lost humanity. And the first rule about making a movie with a robot for a character is that you MUST make it human in some way, that’s the reason why Robocop worked so well and why ‘Terminator 2′ worked so well. Towards the ending, after he takes off his helmet for the final battle, reveals his face. And a little later, after the Old Man asks him for his name, he replies ‘Murphy’, this is one of the most heart-touching moments in science fiction which generally don’t have moments like those. The symbolism in here is perfect
Another thing that really got me were the bad guys. And the best of the gang is without a doubt, Kurtwood Smith as Clarence Boddicker. Honestly, I have never seen a guy who looks like a 50 year old pencil pusher to be so threatening. He delivers his lines with such ferocity and perfection that he becomes perhaps one of the greatest villains in the history of cinema. And his classic lines, ‘Can you fly, Bobby?’ and ‘B*****s, leave!’ will never be forgotten. Also, his crew is worth noting, Emil will be known for the gas station scene (probably the best part of the movie), Joe will be remembered for his laugh and his ‘Does it hurt? Does it hurt?’ line. And Leon will be recognized for his hilarious expression he makes when the disfigured Emil confronts him and when Robocop pulls his hair in the dance club. And lastly Clarence will be known for pretty much everything he does and says in here. And all these guys are MEAN, plain and simple. They basically kill and hurt others for their own amusement and express no pity or remorse at all. These guys are as real as movie villains could possibly get
The action is excellent, the gas station scene was bad@$$, the drug factory shootout was fantastic and the ending when Robocop takes out all the bad guys in the same place where they killed him at the steel mill is unforgettable, thanks to the Cobra Assault Cannons (forgot what they’re called), but it’s one of the sweetest weapons ever made up in a film
The one liners couldn’t have been better. ‘Dead or alive, you’re coming with me’ is a quote that should’ve been on the Top 100, but for some reason, it’s not. ‘Your move, creep’ is another worth mentioning. And the before mentioned stuff that the bad guys say are pretty cool to say in real life situations as well
Robocop is a classic in the golden age of science fiction when we didn’t have too many of that over-the-top, unoriginal crap that we’re getting now. I’m gonna cherish this movie forever, and I hope you will too.
| Click here for more “RoboCop” Posters |
|||
‘Is Anybody There?’ Download and Reviews
“Is Anybody There?” Movie Details
Is Anybody There? tagline:
Actors:
|
|||||||||||||||||||||||||||||||
| Directors: John Crowley | |||||||||||||||||||||||||||||||
| IMDB Rating: 6.9/10 out of 1,441 votes |
“Is Anybody There?” Movie Review
“Is Anybody There?” Plot Summary
Set in 1980s seaside England, this is the story of Edward, an unusual ten year old boy growing up in an old people’s home run by his parents…
Caine at his most able
I heard this film was moving so I prepared myself for some spillage. Within ten minutes, I was teary – not hose-pipe teary – but I became aware that the tap of emotion was being slowly turned on by the gentle yet persistent hand of pathos. It was during the second scene, when Michael Caine’s eyes spewed forth the wretchedness of despair like an urn pours forth water, that I realised that this performance was Caine at his most able; I fumbled for my hanky and decided to ignore the prickle of anguish just for the privilege of seeing his performance
If Michael Caine was a piece of jewellery, he would be a 24-carat-gold antique ring encrusted with rubies, diamonds, sapphires and emeralds; each element perfectly contrasting with its neighbour; a unique mixture of the most precious and luminous stones; never losing their appeal yet probably taken a bit for granted; and only really appreciated by few
In this role, the subtle yet overwhelming brilliance of Caine’s portrayal of a man suffering with dementia allows all the dimensions of his talent to shine. This film is the jeweller and his cloth, and Caine is the multi-talented gemstone, in all his mournful glory, at the heart of it
There’s no denying that the story is grim. The characters are sad; there is death, decay and dementia in equal measure. It is a bleak yet compelling landscape. The background to the landscape is equally dreary. It’s the 80s in an unremarkable backwater outside Hull; the weather is dull; 90 per cent of the film is set in an old people’s home; our protagonist has dementia; and his best friend is obsessed with the afterlife (to the extent of recording the dying wheezes of the clients). Not really a crowd pleaser, eh? But believe it or not, this film has a lot of humour running through it. Okay, so it’s blacker than Newgate’s knocker but it’s there in spades. Caine’s best mate, Edward, a 10-year-old oddball is as compelling to watch as His Majesty as his hose-pipe gets turned on more than once, and very effectively indeed. He sensitively portrays a maudlin misfit not that dissimilar to the talent bud, Nicholas Hoult’s Marcus in ‘About a Boy’.This film is a really great example of British film-making at its finest – a good script and fine talent – nothing more nothing less. It is also a great reminder that a low budget does not mean you have to compromise on enjoyment. With this film, you get two superb beacons of light radiating out from a good support cast and a true-to-life story about the reality of old age and all the regret that can accompany it. Powerful stuff.
| Click here for more “Is Anybody There?” Posters |
|||
‘Black Snake Moan’ Download and Reviews
“Black Snake Moan” Movie Details
Black Snake Moan tagline: Everything is hotter down south.
Actors:
|
|||||||||||||||||||||||||||||||
| Directors: Craig Brewer | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.2/10 out of 26,582 votes |
“Black Snake Moan” Movie Review
“Black Snake Moan” Plot Summary
A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it.
The Best Movie I’ve Seen All Year
I just saw this movie at the Atlanta Premiere (2/14/07) and it was fantastic. Craig came out for a brief Q&A session afterwards and was very gracious. The cinematography was lush, no other way to describe it. It absolutely captured the small-town South in terms of its feel, seeing this movie was like being there. It’s difficult sometimes to divorce big names from characters and see the actor as the character he/she is supposed to be playing, but not in this film. In very short order Jackson, Ricci, and even Timberlake had me believing. In short, a superb effort, and one I’d highly recommend.
| Click here for more “Black Snake Moan” Posters |
|||





