‘Blade: Trinity’ Download and Reviews
“Blade: Trinity” Movie Details
Blade: Trinity tagline: Where it began so it shall end.
 Blade: Trinity DVD Cover |
Actors:
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Sommerfield |
“Blade: Trinity” Movie Review
“Blade III” Plot Summary
Blade, now a wanted man by the FBI, must join forces with the Nightstalkers to face his most challenging enemy yet: Dracula
Blade: Trinity!
Blade: Trinity is a very good film that has a good cast which includes Wesley Snipes, Kris Kristofferson, Dominic Purcell, Jessica Biel, Ryan Reynolds, Parker Posey, Mark Berry, John Michael Higgins, Callum Keith Rennie, Paul Michael Levesque, Paul Anthony, Francoise Yip, Michael Rawlins, James Remar, Natasha Lyonne, Haili Page, Patton Oswalt, Ron Selmour, Christopher Heyerdahl, and Eric Bogosian! The acting by all of these actors is very good. Snipes is really excellent in this film. I thought that he performed good as usual. Purcell really surprised Me! I hope he’ll be in some more action and horror pictures in the future. Biel was really terrific here. I was really amazed by her performance. I would like to see her in more action films as well. Reynolds was good. Posey and Lyonne were really good. I was surprised that Paul Michael Levesque AKA WWE’s HHH or Hunter Hearst Helmsley was in this film. Having followed his WCW days as Terra Ryzing until recently it was wired to see another top wrestling is a big budget film. To Me he actually was pretty good and quite hilarious. I think in the future if he decides to be in more movies that he’ll play very good characters and even in leading roles like fellow wrestlers The Rock and Hulk Hogan. Remar and Bogosian were very good as well. There are a few scenes that I thought were cool. The interview Bogosian did was really cool. The fight scenes in the very beginning were also very cool. I loved the police station scenes and how Snipes says Vampires exist and gives the scare to the shrink! Also cool camera following Blade in the police station as well! Just awesome! The thrills and action is really good and some of it is surprising. The Dracula character was really remarkable. In his monster form he reminded Me a lot of Imhotep from the MuMmy and the MuMmy Returns! The special effects are great! The movie is filmed very good. The music is great by Ramin Djawadi and The RZA. Great directing by David S. Goyer. The film is quite interesting and the movie really keeps you going until the end. This is a very good and thrilling film. If you like Wesley Snipes, Kris Kristofferson, Dominic Purcell, Jessica Biel, Ryan Reynolds, Parker Posey, Mark Berry, John Michael Higgins, Callum Keith Rennie, Paul Michael Levesque (WWE’s HHH), James Remar, Natasha Lyonne, Eric Bogosian, the rest of the cast in the film, The other Blade movies, Horror, Action, Adventure, Thrillers, Fantasy, Comic, and interesting films then I strongly recommend you to see this film today! Movie Nuttball’s NOTE: On the second DVD in the Blade: Trinity case there is a special nearly two hour making of the third Blade movie. It shows how the music, special effects, fighting, sound, and everything else was done by the actors and crew. Biel and Reynolds talk about a possible spin off movie called ‘The Nightstalkers’. I wouldn’t mind that and I certainly wouldn’t mind another Blade film. In one of the other segments Jessica Biel talks about how hard she had to train and how difficult it was. She done her very best to make you happy. Snipes and Purcell fought the fight you wanted! The director tried to make this the most explosive vampire film ever seen for you and yet you people still complain! Thanks for reading!
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‘Paycheck’ Download and Reviews
“Paycheck” Movie Details
Paycheck tagline: Remember the future.
 Paycheck DVD Cover |
Actors:
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Jane |
“Paycheck” Movie Review
“Paycheck” Plot Summary
What seemed like a breezy idea for an engineer to net him millions of dollars, leaves him on the run for his life and piecing together why he’s being chased.
I liked it! A clever Sci-Fi thriller.
When I watch a movie like this, I don’t expect for anything to be ‘plausible’, because nothing is plausible in this type of Sc-Fi story. So I just check my ‘logic’ in the coat room and just sit back and, hopefully, enjoy. I enjoyed Ben Affleck as Michael Jennings, super smart ‘reverse engineer’ who can take apart and analyze a new, complicated contraption, and give plans to his employer to make their own, and go one or two steps better. For this he gets paid very well, and has the only additional requirement that he forget everything. And he does, they always see to that. The movie starts with one such job, just to establish the playing field, then the movie starts in earnest when his old friend, James (Aaron Eckhart), entices him to do a three year job that will get him a fee ‘in 8 figures.’ In the process he meets and flirts with pretty, smart Biologist Dr. Rachel Porter (Uma Thurman). Paul Giamatti has a nice role as his friend, Shorty
Almost 2 hours, it held my interest all the way
SPOILERS. Michael’s old friend James is up to no good. The project is a special ‘lens’ and computer system that can see in circular space, warping back on itself so that one can ’see’ into the future. We only are shown the beginning and end of the 3 years, nothing in between, except for some flashbacks later. His memory is erased, but when he goes to the bank to access his $90+ Million, he is told that he signed it away, and his package of personal effects don’t look familiar to him. Cut to the core story, as he was completing the project, he took a look into his future and saw he was to be killed by a bullet at the work site. So, knowing his memory would be erased, he sent a package to himself, with a number of seemingly unrelated items — a bullet, a bus pass, a BMW key, a fortune with a set of lottery numbers, etc. He was smart enough to realize these would be the key items to get him to change the future, stay alive, and avoid the destruction of the world. To do all that he had to get back in and destroy the computer, which he later found he had the wisdom earlier to put a bug into. And, in the end he gets the girl!
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‘The X Files: I Want to Believe’ Download and Reviews
“The X Files: I Want to Believe” Movie Details
The X Files: I Want to Believe tagline: Believe Again
 The X Files: I Want to Believe DVD Cover |
Actors:
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| Directors: Chris Carter | |||||||||||||||||||||||||
| IMDB Rating: 5.9/10 out of 33,386 votes |
“The X Files: I Want to Believe” Movie Review
“The X Files 2″ Plot Summary
Mulder and Scully are called back to duty by the FBI when a former priest claims to be receiving psychic visions pertaining to a kidnapped agent.
Good movie.
There is a difference in reviewing bad film-making as opposed to personal taste. Frankly, I argue this movie more from personal taste, although X-Files – I Want to Believe is certainly not bad film-making. In all honesty, I was very nervous about X-Files I Want to Believe. Ever since Star Wars the Phantom Menace, I have learned to lower my expectations when venturing into Hollywood movies (although lowering your expectations to nothing could not save the Star Wars Prequels). Nothing is worse than a huge let-down. Indiana Jones and the Crystal Skull comes to mind the quickest. With X-Files, I Want to Believe, I went in with no expectations whatsoever and was thoroughly entertained. It made me pine for the old television series I loved to watch in the 1990’s (at least until Seasons 8 and 9). Dr. Dana Scully is working at a Catholic Hospital, fighting for a young boy who has little to no chance of surviving. She pushes herself hard, not giving up hope in the wake of despair. She fights for Alexander (the son she lost). The FBI comes to her, asking for help in tracking down Fox Mulder. They want his help in a baffling case. An FBI agent has disappeared. The only link is an unusual psychic. Not only does he have scant visions, he also is pedophile priest under house arrest. Of course, Mulder wants to believe this man. Scully, however, does not. This not only stems from her usual scientific mind, but also her moral outrage at his crimes. As this psychic leads them to various clues, a case slowly uncovers. Some strange, bizarre, twisted scheme of harvesting organs for nefarious purposes arises. Mulder of course ventures closer, putting himself in peril. Scully, balks, wondering if she can continue in Mulder’s dark world. Believe it or not, this one works. In fact, I liked it better than Fight the Future. While Fight the Future was inserted in the ongoing mythology of government conspiracies and alien extra-terrestrials, this one works more as a stand-alone movie, much like the episodes of the same flavor. I admit I liked the latter episodes better. So for the X-Philes who liked the conspiracy episodes better, you may want to stick to Fight the Future. That gets me to wonder if this movie will find new fans for the 15-year-old franchise, or only appeal to X-Philes. Only time can tell on that one. What makes this work for me, though, is that it is in the spirit of the original television series. It does not rely on paranoid delusions, government conspiracies, and alien extra-terrestrials. Instead, it relies more on a potentially dangerous and real situation with surrealism in the background. Just like some of the stand-alone episodes of X-Files, the outcome is not predictable. Also, by the end, the surrealism takes a back-seat to the suspense of catching the antagonists. It also unfolds slowly, not giving us a full glimpse into the nefarious plot finally revealed in the end. Just like the series, the antagonists goal is evil and eerie–pushing the envelope of imagination and fear. Just like the series, the plot is also based on real fringe scientific experiments. Both the movie, and the reality sent a shiver up my spine. By the way, leave the kids at home on this one. Kids younger than 11 or 10 might get some nightmares from this one. This paves the way for one thing X-Files television series did well: lacing messages of philosophy, religious allegory, and faith. Some of the best stuff comes when Fox and Dana converse with each other. Scully fears being with Mulder because his world brings around so much darkness, and she fears that. She also doubts her own faith. Mulder must ask himself questions in regards to his relentless search of the ‘truth.’ Another warning must go out that this movie is not an action movie. It works more like a thriller and a suspense movie instead of lacing itself with shootouts, car chases, and outlandish stunts. It also is not scary, but rather suspenseful. I think if Cris Carter were a better director, it might have found a little more suspense, and possibly a little more fright. That being said, I still think this movie works–at least for me.
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‘Memento’ Download and Reviews
“Memento” Movie Details
Memento tagline: Some memories are best forgotten
 Memento DVD Cover |
Actors:
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Jimmy Grantz |
“Memento” Movie Review
“Memento” Plot Summary
A man, suffering from short-term memory loss, uses notes and tattoos to hunt for the man he thinks killed his wife.
Original and intriguing film noir revision.
Revising such film noir conventions as a story told through the unreliable point of view and voice-over narration of a morally flawed investigator-protagonist, the pervasive infusion of a dark past into the narrative present, and the use of a femme fatale as an embodiment of evil allure, Memento is perhaps the most original and intriguing revision of the genre since Welles’ Touch of Evil
As almost every commentator has noted, the most startling (or ‘gimmicky’) feature of Memento – and one with obvious roots in the film noir tradition – is its inverted/contorted plot structure. The film loops backwards episodically to present a series of revelations about the main character, Lenny (Guy Pearce), about the motives of his antagonists ‘Teddy’ (Joe Pantolino) and ‘Natalie’ (Carrie Ann Moss), and about the nature of Lenny’s memory-loss condition. His condition ‘isn’t amnesia’ (or so Lenny tells everyone he meets) but rather such severe short term memory loss that he is unable to assimilate and retain experience – in other words, to make new memories. Consequently, Lenny’s identity, or more precisely his self-knowledge, is arrested at the moment he received a blow to his head while trying to stop intruders from raping his wife
Everything that has happened thereafter has no subjective reality for Lenny, only whatever ‘objective’ reality he can forge using instant photos, notes to himself, and – for the really important stuff – tattoos. But matters are even more complex and paradoxical than this setup might lead one to expect. Gradually, the viewer learns that even the clear memories that Lenny claims to have from before the assault are, like dreams, colored by protective distortions and selectivity. Moreover the so-called facts he has assembled in his investigation and that he defensively claims are more reliable than memory turn out to be irretrievably entangled in subjective motives: his own, Teddy’s, and Natalie’s. Thus the viewer’s initial sympathy for Lenny as a justifiable victim/avenger transforms to horror as Lenny’s true current identity becomes clear
Importantly, Memento’s regressive plot structure is punctuated and counter-pointed by a series of noirish black and white flashbacks in which Lenny relates to an anonymous phone caller the story of Sammy Jankis, another sufferer of short term memory loss who, ironically, was Lenny’s big case in his pre-trauma life as an insurance investigator. Unlike the main narrative, the Sammy sequences are told in chronological order, strategically intersecting and organizing the narrative as it wends its way backwards to the moment when Lenny decides to set in motion the data trail that will lead to the murder we see him commit in the film’s opening sequence. In addition, Lenny’s reconstruction of the Sammy sequences is itself dreamlike and unreliable since he attributes to Sammy characteristics that (if we can believe Teddy, an utterly corrupt cop) are Lenny’s own
In addition to providing plot exposition and a recurring visual/narrative reference point, the Sammy sequences also bring into clear thematic focus the existential implications of memory loss. Like Sammy’s, Lenny’s ‘condition’ is a reduction to the most minimal and absurd level of the human mental processes for constructing meaning (in life, in film) out of fragmentary phenomena and evanescent recollections. In an age of Alzheimer’s, deconstruction, and ego-fictions, most viewers will all-too-easily identify with Lenny’s painfully hopeless and terrifyingly arbitrary quest to hold reality steady as is it fizzles and flits away.
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