‘Big Fish’ Download and Reviews
“Big Fish” Movie Details
Big Fish tagline: An adventure as big as life itself.
 Big Fish DVD Cover |
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Norther Winslow |
“Big Fish” Movie Review
“Big Fish” Plot Summary
A story about a son trying to learn more about his dying father by reliving stories and myths his father told him about himself.
Beautiful and Unexpected
As a lifelong Burton fan, I approached this film with high hopes, and no trepidation whatsoever. Honestly, I have never met a Tim Burton film I haven’t liked for one reason or another, but Big Fish is only the second to make me cry (Edward Scissorhands being the first). I was expecting a deep storyline, wonderful cast of characters, and little confusion from time to time, but I got so much more than these things. We have all had a ‘big fish’, it’s the one that grows and grows until it takes on a life of it’s own, before long you don’t need to tell the story anymore, because that fish is just one step ahead of you. Bloom didn’t lie, he told his own version of the truth, a heartwarming, romantic, and enthralling truth. The cast was nothing short of stellar (especially Billy Crudup making one of his rather rare on-screen appearances). The characters made Big Fish what it is, each and every one influencing the progression of an incredible story you can only hope holds some truth. The elements of love, friendship, and family are embedded in the symbolism and dialogue. The visuals are captivating and awe inspiring. No one does it like Tim Burton, and Burton will struggle to ever create a film to match this…I would (and do) recommend it to everyone.
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‘Drag Me to Hell’ Download and Reviews
“Drag Me to Hell” Movie Details
Drag Me to Hell tagline: Christine Brown has a good job, a great boyfriend, and a bright future. But in three days, she’s going to hell.
 Drag Me to Hell DVD Cover |
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| Directors: Sam Raimi | |||||||||||||||||||||||||||||||
| IMDB Rating: 7.2/10 out of 42,987 votes |
“Drag Me to Hell” Movie Review
“Drag Me to Hell” Plot Summary
A loan officer ordered to evict an old woman from her home finds herself the recipient of a supernatural curse, which turns her life into a living hell. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Good? Yes. Epic? No.
A bank employee is forced to make a tough decision — denying an old woman an extension on her home loan. While this may have helped her career, it jeopardized her life. The old woman, a gypsy, puts a horrible curse on the woman, where an evil spirit (a lamia) will drag her soul to hell in four days
Many of us were waiting for Sam Raimi’s return to horror (aside from his production work for Ghost House), and here it is. For me, personally, it was an experience that was both welcoming and disheartening. any of Raimi’s old tricks are back, but some of his new tricks are present too, much to my chagrin
A good friend informed me that the first fifteen minutes of the film are ‘epic’, a word that is not to be used lightly. In this, I strongly disagree. While some of the later scenes were very intense and quite fun (the parking lot scene, for example), the first fifteen minutes were largely a waste of film. The introduction with the Mexican family serves only a minimal plot purpose, and we are treated to a bit too much bank employee exposition
What are the old tricks and new tricks I refer to? Let me lay it out for you. The old tricks include: the return of the Delta 88, some great camera shots (again in the parking lot scene), a demonic dance, a possessed goat, and a very subtle cameo by Ted Raimi that you’ll miss if you don’t recognize Ted’s voice. Sadly, Bruce Campbell was not available for the film to make a cameo. The new tricks? Computer generated animation. I have expressed my disapproval of CG in countless reviews, but it’s even more sad from Raimi, who is known for his camera techniques and stop-motion work. Sure, this isn’t low budget, but animated fire doesn’t scare me
Overall, while I didn’t find the film to be groundbreaking, it is well worth a view. Raimi includes plenty of his splatter effects (blood, drool, and other bodily fluids) and generally gives us a good ghost story, particularly for working in the PG-13 framework (which is a mistake). The end is also satisfying. Compare this to Stuart Gordon’s ‘Stuck’ and it seems that Raimi has the more lasting impact on horror
As of this writing, the film is in the cheap seats, so by the time you read this, it will likely be out on video. Be sure to rent this. The film likely didn’t make as much in theaters as expected, especially with the overbearing media campaign (which was enough to turn me — a Raimi fan — off). Let’s help them recoup their losses on the video sales. No doubt the special features will make this well worth it.
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